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bt business plan 1 Sorry to read about the 7 eleven wage confusion. I have looked into is suffering buddha this for you. Basically for the Unlimited calls package, it is 7 eleven wage, ?15.00 per writing, line/channel so if you wished to have this call package on the 15 lines/channels you would have to 7 eleven pay for is not a common vision statements? 15 call packages. 7 Eleven Wage Scandal. If you have the call package on one line the call minutes are only for that one line and pittman, are non transferable. Hope this has cleared this up for you.

BT Forum Moderator. Can you clarify that the 7 eleven scandal unlimited allowance is or is feminism art, not shared between the channels? I.e. Wage Scandal. most calls will be made on channels 1 2 and very likely to go over 5000 minutes. This is what I wanted clarifying as I have had BT local Business tell me it is shared between all the life is suffering buddha channels I have 1-15 making 75,000 minutes (well 70,500 as this is 7 eleven wage scandal, deducted from the total) of 01,02,03,08 numbers and Interpersonal and Intrapersonal Perceptions, 4,500 minutes of Mobiles (excluding 3G and 7 eleven wage, Dolphin) However BT Business have told me that is NOT shared between the channels and they are PER LINE, making 4,700 minutes and 300 minutes respectively per Line. As you quite rightly point out most of our calls will be Lines 1-6 maximum as this is how most Telephone Systems are programmed and Frege, so on that basis it would not be worthwhile changing from wage scandal, my existing supplier. I am told by 1776 by david mccullough, a friend that BT Local Business do not care whatever they tell you as they do not bill you - it becomes BT Business problem from a billing point of view and I do not want to be tied into wage a 2 year contract without complete clarification (T's and which following a common of company vision statements?, C's from wage, BT which I cannot find anywhere) I feel there is a lack of clarity from BT and is further confused on which following a common this forum as Tracey a BT Forum Moderator is quoted below. Sorry to 7 eleven read about the was jane she died confusion. I have looked into this for you.

Basically for 7 eleven wage the Unlimited calls package, it is how old was jane pittman when, ?15.00 per line/channel so if you wished to have this call package on wage the 15 lines/channels you would have to pay for feminism art 15 call packages. If you have the call package on one line the 7 eleven scandal call minutes are only for that one line and are non transferable. Hope this has cleared this up for Essay on The Agreement you. Scandal. BT Forum Moderator. Feminism Art. This reads to wage me that the of the of company statements? inclusive plan is 7 eleven wage, PER LINE or CHANNEL although not conclusively and yet in a forum post further up the page Chris3p who is is suffering buddha, a BT Partner states the following. I should also mention that the Unlimited deal is 7 eleven wage scandal, subject to a Fair Usage Policy. This translates to 5,000 fixed line and 1776 mccullough, international minutes per wage, month and how old was jane when, 300 fixed line to mobile minutes. Wage. If you have the package on a multi-line installation (using the writing an essay example I made in my post above) this allowance is scandal, multiplied by Frege on Truth, Beauty and Goodness Essay, the number of subscriptions you have e.g. 20,000 fixed and international minutes and 7 eleven, 1,200 fixed to mobile minutes. An Essay. I would just like someone to point me to wage the Terms and on The Agreement, Conditions that define exactly what the 7 eleven situation is - Are these minutes per Essay, Line/Channel and scandal, billed as that or shared over the Lines/Channels the mccullough customer has.

Any help would be appreciated. Hope this clarifies. The shared minutes depend on 7 eleven scandal the type of lines you are using (individual or Auxillary) Are the Interpersonal Perceptions Essay 500 free minutes, and scandal, the Unlimited Calls Packages, line based, or shared by site or customer level? The Free Minutes and the Unlimited Calls Packages are applied per of the following is not shortcoming statements?, line or installation (where applicable) and 7 eleven, are not. transferable to other lines outside of Essay that installation. Every eligible fixed line in wage scandal the customer’s One Plan Inclusive inventory receives the 500 Free minutes. The Unlimited. Calls Package is opt in of the shortcoming statements? and has to be taken at “installation level” – so all lines sharing the same telephone number. (auxiliary lines) must also take the Unlimited Calls Package and pay the 7 eleven wage scandal Unlimited Calls Package charge. The Unlimited Calls Package has to life is suffering buddha be taken at wage scandal installation level - so all lines/channels sharing the on The Women's same telephone number (auxiliary lines) have to take a package and wage scandal, pay the by david mccullough fee. However, monitoring of the scandal Fair Use Policy is also at installation level. Each calendar month BT adds together the allowance per line in the installation (“total allowance”) and the usage across all the lines in the installation (“total usage”). Writing An Essay. Where the total usage exceeds the wage total allowance BT will commence charging for writing additional calls on all lines in the installation from the next calendar day.

Keeping the maths simple - if I had three lines (1 + 2 aux) on wage scandal a ?500 One Plan Inclusive and wanted to take the Unlimited Calls Package: I'd have to following is not of company statements? have 1 per line = 3 and pay 3 x ?15 = ?45 per month Fair Use Policy allows up to 5000 inland/idd fixed minutes and 300 f2m minutes This gives me 15,000 inland/idd mins and 900 f2m mins across my installation (3 lines) per month It does not matter whether each line uses them equally, or one line uses all of them. So line 1 could exceed 5000 inland/idd minutes but would not be charged for 7 eleven scandal additional calls if the life is suffering total for wage scandal the installation had not reached 15,000. On The Women's. This is not the scandal same if I had 3 separate telephone lines, on separate numbers/installations: In this instance I could pick whether to have packages on any line but would not have to have on all three if I did not want to and Intrapersonal Fair Use Policy allows up to 5000 inland/idd fixed minutes and 300 f2m minutes - but this is measured at wage scandal installation level, so in this example it applies on a line by line basis (there is no pooling) If any individual line/installation with an life is suffering buddha, Unlimited Calls Package exceed the 7 eleven scandal Fair Use Policy they would be charged from the next calendar day - even if other lines/installations had not reached their FUP. Happy to speak to ypu directly if required. She Died. PM your contcat information and I will 'phone you.

We offer a range of 7 eleven wage calling plans that give you great savings on your calls. We have a plan to suit your needs whether you have just a land line or you have a range of services with BT. Choose from buddha, one of the options below to see which calling plan is 7 eleven scandal, best for life is suffering buddha your business. Want to get-on Google's first page and wage scandal, loads of and Intrapersonal Perceptions traffic to. 7 Eleven Wage Scandal. your website? Hire a SEO Specialist from Frege Beauty and Goodness Essay, Ocean Groups.

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landfall essay Airini Beautrais won the 2016 Landfall Essay Competition for 7 eleven wage this essay exploring the way names reveal our identity, histories, and sometimes our ignorance. My children’s father was the first person I ever dated. By this I mean that until we met, I had done what I presume most of on Truth, Beauty and Goodness Essay my peers did: got drunk or stoned and got into bed. I had never gone to a movie beforehand, or planned a picnic, or gone out for wage scandal coffee. There was something antique about sitting there in by david the pub in 7 eleven scandal the five o’clock sunlight, potted palms drooping around us, plastic jug being evenly poured into two smeary glasses.

This person wanted us to get to know each other. It was quiet in there. It had the feeling of an empty theatre. In the daylight the feminism art, red velvet drapes looked dusty and sad. The wooden floors looked like well-trodden wooden floors. Things would transform into other things when night fell. 7 Eleven Wage Scandal. At the time, that particular pub was where the hipsters went, and after the hipsters the feminism art, sort-of-hipsters, and after a certain hour the generic, severely drunk drunks who went wherever they saw crowds. You’d get sticky legs from the constant slosh of beer; there’d be unsolicited frotting. The owner had the unfortunate task of scandal stopping the band at midnight so the neighbours, who’d bought apartments in the middle of the city’s small zone of nightlife, would not force the pub to close permanently. He’d stand on stage reasoning into the microphone while intoxicated groupies yelled, ‘Play another one!’, oblivious to Frege on Truth,, his pleas. The final closure was effected a few years later.

I did not particularly want to get to know anyone at the time. I had come out of 7 eleven a badly executed relationship, and wanted a lover, or several, who would hardly talk to me. I didn’t feel ready to meet my children’s father. We made small talk. He told me about the autobahns back home. ‘Sometimes when my brother is driving I look over and see he’s going at 200ks.

But you don’t notice it, it just feels normal.’ And then I thought it would be proper to find out, like I hadn’t, always. ‘What’s your last name?’ I asked him. He smiled at me, said, ‘Wait for it ’ drummed on life is suffering the table, clicked his fingers, pointed into the air and announced, ‘Grübsch!’ That was the difficult question. When a letter arrives for 7 eleven wage scandal Mr Grubsch, I am disheartened. Something is life is suffering buddha, missing; something small but vital. 7 Eleven Scandal. A grub is 1776 mccullough, a juvenile insect. Or a filthy person. When my partner was doing relief teaching he used to tell the kids his name was Mr Norman, because it was easier. When he relieved for 7 eleven wage a German teacher, he allowed himself to be Mr Grübsch. ‘Sir,’ a boy asked him once, ‘why do you have a smiley face in your name?’ Ü.

When you handwrite it on a whiteboard, it’s two dots for feminism art eyes and 7 eleven wage, a quick bendy mouth. It makes a sound like the ‘oo’ in ‘food’. 1776 By David. Take away the dots and it sounds like the ‘u’ in ‘pudding’. But the ‘u’ in 7 eleven scandal pudding isn’t the same as the ‘u’ in ‘grubs’. Food. Pudding. By David. Grubs. If I were Norman I’d wish for a dollar for every time I’d been Grubs. Bird, person, work, lurk: same vowel sounds, different vowels.

The English language has some weird mongrel vowels, and that’s fascinating, like a tapestry, or a painting with many layers of 7 eleven wage paint. Bird, person, work, lurk: same vowel sounds, different vowels. Interpersonal And Intrapersonal Essay. Deutsch doesn’t do this. As much of a pain in the arse as it is learning German, as much as genitives and wage, datives and gendered nouns can tie a native English speaker’s brain into knots, at least the language is life, phonetic. Learn the sounds the letters make and you’ll be able to read a word and pronounce it correctly. One of scandal our German lecturer friends told me the hardest word for a learner to master is ‘Eichhörnchen’. Eiche : an oak tree. Eichhörnchen : a squirrel. By David Mccullough. An Eichel is an 7 eleven wage acorn, or the head of mccullough a penis. This quietly alters the scandal, experience of walking in and Intrapersonal Essay parks in the autumn.

It was a man named Griebsch who suggested to Norman what his name might mean. He lived on the floor below; the names sat on nearby intercom buttons. A Grübsch is wage, probably the same thing as a Griebsch : the core of a fruit. Gräbsch is another variant. Apfelgriebsch . My children are not grubs. Was Jane Pittman When. They are the scandal, core of an apple. Like Johnny Appleseed, blessed by nomenclature with some divine botanical purpose. Griebsch, Gräbsch, Grübsch: all these are regional names. It’s hard to know where Herr Müller might be from.

But Herr Grübsch will, at least at some point, have ties to a small triangle of villages just north of the city of Leipzig. Oma and Opa Grübsch live in a house built by a Grübsch and inhabited by Grübsches for five or six generations. When you walk down to the local Konsum you might see a Grübsch cycling past. A distant cousin who barely recognises you. You’ll pass a number of life is suffering Grübsch letterboxes. Some you’ll know, some you won’t.

Drive for half an hour and you won’t find any. The answer to my question, in the dusty red velvet evening in the pub, was that there are two spellings. One is that you put an umlautthose two little dots over the u. 7 Eleven Wage Scandal. The other is by david mccullough, that you write an e after the u. So ü and ue are phonetically the wage scandal, same, while ü and u are not. Food, food. Food, pudding. Buddha. An umlaut is 7 eleven, written the same as a diaeresis, but doesn’t have the same effect. Was Jane Pittman She Died. Similar diacritical marks are found in a range of languages, with a range of different purposes. ‘Umlaut’ is the name for 7 eleven wage the symbol as used in Germanic languages, where it indicates that a vowel sounds as though it is followed by an e. Perhaps it originated in Middle High German at a time when writing the on The, letter e felt like too much of an effort. Fortunately for this barely lubricated conversation, I knew what an 7 eleven scandal umlaut was. This is because one generation back, there’s one in my family.

This umlaut arrived in New Zealand on is suffering a boat in around 1900, worked in quarries, had a daughter (whose married name, appropriately, is 7 eleven wage scandal, Stoney) and four sons. Like Norman’s surname, it’s regional. On The. In the Swiss village of Küssnacht you can walk past any number of doors labelled ‘Gössi’. In the local town hall there are family records dating back to the sixteenth century. These are meticulously kept: in the 1980s the authorities were disgruntled with my mother for not writing and notifying them that she’d got married and had three children. Typing the ö is a nuisance. Wage Scandal. Was this even possible on a typewriter? Perhaps, unconsciously, it was this sort of common ground: the sharing of a diacritic, like finding you’ve been told the same folktales, that helped Norman and me connect with each other. Perhaps it was similar when my parents met, and without even discussing it fell into some kind of groove cut by Essay on The Women's Agreement, the shared pain of being constantly, sometimes wilfully, mispronounced.

Gössi, like Grübsch, loses its diacritic in an Anglo spelling environment. Typing the 7 eleven wage scandal, ö is a nuisance. Was this even possible on a typewriter? So the little e which in the olden days had been written above the a, o or u, and which morphed over life time into the two dots, was re-inserted. Wage. Goessi. ‘Goosey! Go-Easy Rider!’ the kids at school used to taunt my mum and her sisters, over buddha and over. By the time she married my dad, Mum hated her name so much she would have changed it to just about anything. Beautrais was acceptable, despite being similarly ‘foreign’. All the things we’ve been called over the years, all the names on envelopes: Beauchamp, Beetroot, Beatriceeven, once, Beautyanuswhat the fuck did it matter? She was no longer Easy Rider, or a goose. What is different for a person in an Anglo-dominated culture with a non-Anglo name?

What makes it different for children growing up? You look different, I’ve been told. 7 Eleven Wage. You sound different. Where are you from? How long has your family lived here? Do you speak French?

Your ancestors must have settled in Akaroa? Do I? Do I? I was born in Auckland. Between four and six generations. No, I never learned. No, my French ancestor came by himself and went to Taumarunui. ‘You had better ring the schools when you apply for jobs,’ said my teachers’ college lecturer, ‘so they know you can speak English.’ As a Pakeha, though, I can still slip quietly into the coat pockets of Frege on Truth, white privilege. I do not have to deal with the everyday systematic racism that a non-white New Zealander faces. It’s only a name, after all.

But my experience, my family’s experience, my partner’s experience with names is like a little hole in the seam of that coat pocket, shedding a small light on the fabric of cultural superiority. A kiwi is a bird, or a hairy fruit, or a person who identifies as a New Zealander. In the latter instance, that is the surface meaning. On another level, a Kiwi is a white New Zealander of British extraction. This was the silent suggestion in Don Brash’s election campaign billboards, half blue half red, labelled Iwi/Kiwi. This was implied in Paul Henry’s buffoonish jokes about 7 eleven scandal Anand Satyanand.

In every comment about what is or isn’t Kiwi. Life Is Suffering. There are degrees of 7 eleven scandal Kiwi. Some of when she died us are more Kiwi than others. 7 Eleven. Never mind the goddamn bird being just about extinct. Or the Psa bacterium.

The T-sauce, the pav, the black singlet, the jandals, the All Blacks, the and Intrapersonal Perceptions, hokey pokey, the red and black Swanndri, the 7 eleven wage scandal, quarter-acre section. Frege. Does this apply to anyone? That’s what ‘Kiwi’ means to mean odd kind of scandal half-arsed point-missing fairytale. What does it all add up to? To me it’s like a weird imperative to throw oneself in Frege that problematic melting pot, the moulding of a shape into which people can be pressed and tested, and fit or not. Wage Scandal. You are welcome.

You aren’t. The poll tax. The dawn raids. Our pathetic refugee quota. There’s a series of kids’ books currently in production called Kiwi Corkers, full of faltering anapaestic lines, improbable dated slang, fudged rhymes, mangled reo. The Gebrüder Grimm meets Footrot Flats, no irony intended. Cinderella marries a footy player. The little red hen is a little blue duck. She milks cows by hand and feminism art, owns an Edmonds cookbook. 7 Eleven. That’s what ‘Kiwi’ means to mean odd kind of half-arsed point-missing fairytale.

One that’s increasingly difficult to maintain as populations become more urbanised and 1776 mccullough, more multicultural, but don’t we ever keep trying. The first Gössi generation born in New Zealand were born in wage scandal the 1930s. Interpersonal Essay. They became young adults in a time when anything Germanic was suspicious. German biscuits became Belgian biscuits, German shepherds Alsatians. 7 Eleven Scandal. There’s an old piano at my son’s Playcentre, walnut veneer, with a brass inlay reading ‘Made in’ and then a scratched-out shape that starts with a ‘G’ and ends with a ‘y’. There are photographs in our local museum of bricks through butcher shop windows.

The longstanding mis-association of a regime with a people. Is Suffering. Mr Norman, when his carefully practised accent cracked, when his country of origin was made known, was enthusiastically greeted with the Nazi salute. His Aussie friend listed him in his mobile contacts as ‘Hit’. When my grandfather started school in 1937, his English wasn’t fluent. By the wage scandal, time he left school he’d lost Schweizer-Deutsch. His parents spoke it to each other, and Interpersonal and Intrapersonal Essay, a mixture to 7 eleven scandal, their children, but somehow the by david mccullough, children lost their grip on it, or it lost its grip on them. When we sift through old family letters, Norman has to translate. He gets excited and races ahead of us, photographs everything with his phone. What is he tapping into? What is he preserving?

One of my granddad’s brothers trimmed his name, changing it by deedpoll to the more palatable Goss. No dots. No ‘e’. No diminutive ‘i’ as in Müsli, Röteli, Käselädeli. Another brother just rolled with the pronunciation his friends and wage scandal, acquaintances gave him, Gossey. ‘Who the fuck is Daniel Goessi?’ his son Darryl was heard to exclaim, when by some unlikely chance a caller hit upon the original vowel sound. It’s a little like the men named Rangi who ended up rhyming with ‘tangy’.

Remove a person from family and culture, take down the feminism art, struts of a languageby a Native Schools Act, by garden-variety xenophobia, by sheer inconvenienceand a name is quickly unsettled. Sometimes it’s better just to go by an initial. Hans eked out a living in Helensville growing carnations and 7 eleven wage, flicking on the odd bottle of contraband moonshine. But you can get a name back. Sometimes this means going home. Sometimes this means going to the other side of the feminism art, world. My Aunt Jane waitressed in a small ski town in Switzerland. After years abroad she came back via Europe and Asia by motorbike, with a Swiss man named Hans. Wage Scandal. And an umlaut. Jane Gössi.

Hans got dropped fairly quickly. The umlaut persisted, two black jewels in a little floating crown. Hans eked out a living in Helensville growing carnations and flicking on the odd bottle of contraband moonshine. He and Jane distilled a few batches together. ‘Jane make good Schnapps,’ Hans told me and Norman, as we sat at his kitchen table in Chur, many years later, sampling his friends’ Pflümli and Kirschwasser. It seemed like months, years, followed the evening in the hipster pub, where we would find ourselves shifting from table to table, raising our glasses. Sampling the regional spirits of the Western world. 1776 By David Mccullough. About three years on from that early pub date we found ourselves with a fat, spirited baby, going through the ropes of getting him two passports. If the umlaut had been fascinating to me before, it now became something of 7 eleven scandal a furious obsession. The difficulty in keeping an umlaut is a symptom of the difficulty in keeping a language. Besides Schweizer-Deutsch, my ancestors lost two further languages in New Zealand: French and Gaelic. What do we have left of those languages?

A surname. A gravestone. A one franc piece. Two recipes for biscuits, a recipe for by david rösti. (Without the wage, umlaut, they’re ‘roasty’.) A small museum. Some dubious tartans. Is that really all?

Where did the mccullough, rest go? Time after time, Norman would have the same conversation with my grandfather. You spoke German as a child? So why can’t you speak it now? In the womb the children heard me calling biological facts across a lino’d lab. Out of it, they heard my half-remembered lullabies, my English baby nonsense. Before our children were born we were so sure times had changed. Wage. Before our children were born we were sure they’d be one hundred per cent bilingual.

We hadn’t taken into account the hidden weight, in a family where a mother is the primary parent, of the term ‘mother-tongue’. In the womb the children heard me calling biological facts across a lino’d lab. Out of it, they heard my half-remembered lullabies, my English baby nonsense. German came home from is suffering, work in the evening, sometimes not until very late. It was a paternal T-shirt tucked into 7 eleven a bassinet, a wide rising chest to fall asleep against in the wee small hours. German was on Skype, on a plane ride, on holiday.

It told them to stand up, to put on their jackets, to brush their teeth. Nowadays they speak to by david, their father in a mongrel mixture. Sometimes this is funny. 7 Eleven Wage. Sometimes it’s infuriating. By David Mccullough. They’ll pick it up quickly if they ever live there, we tell each other. Sometimes it feels like standing next to wage scandal, a swimming pool pipetting in a tiny drop of something other than water. Was Jane Pittman She Died. A drop of Pflümli. What are the wage, chances? The New Zealand passport office did not appear keen for life is suffering anyone to leave the 7 eleven wage scandal, country, even if only for Women's a few weeks’ holiday in Australia. This photograph has a shadow under the chin. The baby’s lips are slightly parted.

Then there were my fuck-ups: the writing on the back of the photograph does not match the witness’s handwriting. 7 Eleven. The parent has forgotten to sign the form. Back and forth went the by david, documentation, with time running short, and the ex-pat parent, stressed by travel in general, becoming increasingly panicked. Then came the call explaining that the scandal, passport was now held up because ‘the name on was jane pittman she died the passport does not match the name on the birth certificate’. You may not have a umlaut in a New Zealand passport. In fact, you may not have any diacritic. You may not have an acute, a grave, a breve, a cedilla. You may not have an wage scandal ogonek or a hácek.

You may not have a circumflex, or a macron. A macron. One of our official languages, the indigenous language of Aotearoa, is, in life its written form, full of macrons. And you may not have a macron. . an 7 eleven envelope arrived from the passport office addressed to their daughter, Hoeng?rangi. Perceptions. The start of 7 eleven her association with the state, they joked.

Some friends of ours found this out when an envelope arrived from the passport office addressed to their daughter, Hoeng?rangi. The start of her association with the state, they joked. On Truth, Beauty Essay. The state, that great big bottle of 7 eleven scandal homogenised milk. That Kiwi Corker bureaucracy. Have a beaut day. The solution to not being allowed an umlaut, was, of course, to insert an e. No, said the passport office; then the name will not be the same as it is on the birth certificate (where it was spelled with a ü). Master Lukas Grübsch would just have to lose his dots and feminism art, be Grubsch.

But that’s WRONG, I argued. What was I supposed to wage scandal, do? I would have to Essay, find some way of proving that there were two ways of 7 eleven scandal spelling the name, I was told. After a period of intense rage, I rang the German embassy. They answered, of course, in German. I did what I always do when faced with brisk, official High Germansaid ‘Guten tag,’ and Essay Women's Agreement, then fell back on English, blabbling my story. I am not Germanbut my partner is Germanmy son was born here but he is also a German citizenwe have this problem with the New Zealand passports officeabout an umlautwhat do I do?

The man at the embassy, in the kind of clear, impeccable English used only by second-language speakers, and maybe the Queen at Christmas, said: ‘You will need to bring in your partner’s passport which will show both spellings, as proof. Along the bottom of the 7 eleven, passport on life the first page it will show the 7 eleven scandal, international spelling.’ Whew. I did not need to write to the local council in Schkeuditz. I did not need to compile a family history going back a thousand years. How Old Was Jane. I did not need to write an essay on the umlaut. So my son got to be Grübsch on wage his birth certificate, and in his Playcentre profile book, and on Frege and Goodness Essay his school uniform and 7 eleven scandal, lunchbox and socks, and Gruebsch on his passport and at the doctor’s and anywhere where an mccullough ‘ü’ on scandal a hand-filled form might be swapped for an ‘u’ on a computer file. It would all work out somehow. But slowly, imperceptibly, as years went by, I was getting madder. I was no longer mildly annoyed about speaking to an audience to whom I’d been introduced as Aarony Bewtriss. I no longer let people spell my first name ‘Irene’ if they felt like it. I would carefully sound out ‘Kroopsch.

Kroopsch.’ The ‘g’ is more like a ‘k’. The ‘b’ is more like a ‘p’. There’s a ‘sch’ at the end. Like in school, but it’s not ‘sk’, it’s more like ‘shh’. It is Perceptions Essay, not funny. It is not unusual. It is wage scandal, my family’s name. It is no more different than Smith. One of you is an apple core. The other makes horseshoes. Both those things are equally irrelevant.

And in turn I got madder every time I heard someone else’s name botched. And every time I heard someone say dumb shit about on Truth, Beauty and Goodness Essay immigrants. 7 Eleven. And every time a redneck wrote to the local paper and said we had a referendum on this, and said it isn’t pronounced with an 1776 mccullough h anyway, and said I am a white guy who knows better and Wanganui has always been spelled this way. It’s always been this way. As I sat down and 7 eleven wage scandal, prepared to explain to the nurse that I was pissing blood, she asked me, ‘Did I say your name right?’ Recently, in the doctor’s surgery, a nurse walked into the waiting room and said my name correctly. A warmth swelled up in me that made me want to burst into tears. Ever so occasionally, this happens. I get a call centre operator who gets it.

Or someone says, ‘That was my grandmother’s name.’ Or ‘My daughter is having a baby, I suggested that name.’ As I sat down and prepared to explain to the nurse that I was pissing blood, she asked me, ‘Did I say your name right?’ I affirmed. By David Mccullough. She said, ‘Oh, that’s just how you would say it in scandal my language, Shonafrom Zimbabwe.’ I said my name is Maori and Essay on The, that perhaps the vowels and the rolled ‘r’ are the same in wage both those languages. Despite my physical discomfort, I was beginning to feel soothed. I am a Pakeha with a Maori first name. I was named after Airini Gössi, the quarry labourer’s daughter who married a Stoney. To her Swiss parents, the name didn’t seem difficult. Not all dipthongs are pronounced the same in Maori and German, but ‘Ai’ is. I have a French surname, brought out on a boat by a man of no history. It doesn’t mean shoemaker. Interpersonal Perceptions Essay. It doesn’t mean apple core.

It doesn’t appear to mean anything. People said he’d been a fugitive criminal and had made it up, until the internet took off and we realised there were more of us. There are ten people called Beautrais in New Zealand, and the rest are in Nantes. 7 Eleven Wage Scandal. My s might be silent but no one is going to take it off me. It is okay to ask.

It is feminism art, okay to make a mistake. And it is wage scandal, okay to be corrected. Spelling and pronouncing a name correctly is a matter of respect. It is Beauty, a way of saying I give enough of a shit about you to honour who you are. It is a matter of listening carefully to vowel and consonantal sounds, and how they differ to those of one’s primary language. It is okay to ask. It is okay to make a mistake. And it is okay to 7 eleven, be corrected. ‘Whanganui’ does not rhyme with ‘conger’ and ‘Dewey’. Whanganui iwi would like an ‘h’ in the place name given by their ancestors. There’s no valid argument against this.

It is their name and their language. It is about acknowledging colonisation, admitting to privilege, and saying we do not have to keep on walking that worn-out path. Feminism Art. We can take that coat off and set fire to 7 eleven, it. And what is the Essay Agreement, umlaut about? It is two dots, a diacritic, which turn the letter u into a smiley face.

But I hope the umlaut, for my kids, is about saying I am tauiwi. I am Pakeha, but I am only a little bit British. I was born here, and I have come here from somewhere else. I have brought a few treasures with me. A coin. 7 Eleven Scandal. A tea-box. These small dots. Some of my waka were sailing ships. They had names like Jocelyn, Margaret, Gertrude, Spray, Baron Aberdare. Some of my waka were steamships.

One, my papa’s waka, was a waka rererangi, a Boeing 747 that hit the tarmac in Essay on The 2005. I know where I am from. I know whose land I live on. I am keeping my diacritic. I will help you keep yours.

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Contemporary art does not account for that which is wage scandal, taking place. The term “contemporary art” is marked by an excessive usefulness. The contemporary has exceeded the and Intrapersonal specificity of the present to become inextricably linked to 7 eleven the growth of doubt consolidation. At the same time, it has absorbed a particular and resistant grouping of interests, all of life, which have become the multiple specificities of the contemporary. The tendency is for artists to 7 eleven deny that they are part of something that is recognized and defined by others. Frustrations here are always unique. Essay On The Women's? Donald Judd did not identify himself as a minimalist. Yet “contemporary art” activates denial in a specifically new way. It does not describe a practice but a general “being in the context.”

The people who leave graduate level studio programs are contemporary artists—that much is scandal, clear. They represent the life subjective artist operating within a terrain of the wage general. Yet we now find that the meaning of contemporary art is how old was jane when she died, being redefined by a new art historical focus upon its products, ideas, and projections. That means we are going through a phase in which—whether we like it or not—it is quite likely that a new terminology and means of delineation will be proposed. It is therefore necessary—for artists specifically (although never alone)—to engage with this process of re-describing what gets made now.

What constitutes the image of the contemporary? And what does the contemporary produce other than a complicit alongsideness? “Contemporary art” has historically implied a specific accommodation of a loose set of open-minded economic and scandal, political values that are mutable, global, and general—sufficing as an all-encompassing description of “that which is being made now—wherever.” But the flexibility of life is suffering, contemporary art as a term is no longer capable of encompassing all dynamic current art, if only because an increasing number of artists seek to scandal radically differentiate their work from other art. In a recent essay I attempted therefore to re-term contemporary art as “current art,” as a way of dropping the association with the contemporary of design and architecture and simply find a term that could contain the near future and recent past of engaged art production rather than an evocative post-modernististic inclusion of singular practices. 1 However, this new adjusted definition also does not suffice as a description that can effectively include all the was jane pittman when work that is being made with the intention of resisting the flexibility of contemporary work.

It is increasingly difficult to wage scandal ignore the fact that the definition contemporary art has been taken up by such apparently mutually exclusive arenas as auction houses and new art history departments as a way to talk about a generalization that always finds its articulation as a specificity or set of subjectivities that no longer include those who work hard to evade its reach. Contemporary art has become historical, a subject for academic work. The Fall 2009 issue of Interpersonal and Intrapersonal Essay, October magazine on the question of the contemporary tended to focus on the academicization of contemporary art while acknowledging extensively the existing unease that many artists have with being characterized within a stylistic epoch. Hal Foster noted that the magazine received very few replies from curators to his questionnaire. 2 This could be due to the October issue coinciding with the end of the usefulness of the term “contemporary art” for most progressive artists and curators—or at least with the reluctance of more and more to 7 eleven wage scandal identify with it—while remaining a convenient generalizing term for many institutions and exchange structures including auction houses, galleries and art history departments, all of whom are struggling to identify the implications of their use of the term—some more than others, of Interpersonal and Intrapersonal Essay, course. The dilemma of contemporary art, for the purposes of this text, actually refers to the period between 1973 and 2008, rather than the post-1945 definition common in Western museums. This is in an attempt to 7 eleven wage avoid what might be called the “late modern” period, where the legacy of modernist arguments is still the primary term of Essay, reference. 7 Eleven Scandal? By 1973 we find ourselves already operating within an institutional context of contemporary art museums and art centers while reflections on the reductive and conceptual endgames of the 1960s have given way to a new set of debates about performance, video, and institutional critique. There will follow an attempt to describe the current understanding of the term “contemporary art” and the way it is deployed towards the creation of a space of inclusion and potential. Workers at she died, the New Museum installing an Urs Fischer work. Photo: Thomas Rennie.

The contemporary is necessarily inclusive—a generalization that has shifted towards becoming an accusation. Is there the possibility of merely saying “I make work now”? Contemporary art is a phrase that lends itself to being written and told without being said. It is always “everyone else.” It would only work to stop saying the term if people had been saying it all along. It is as rare to hear an artist describe himself or herself as a contemporary artist as it is to hear an 7 eleven wage scandal, architect tell you that he or she is a contemporary architect. This sense of the unsaid has emphasized the role of the contemporary as a loose binding term that is life is suffering buddha, always pointing away from 7 eleven wage itself rather than a term articulated and rethought from the center. That is the reason for its durability and stifling redundancy. So what is contemporary about contemporary art?

Does art itself point to was jane when she died the term or vice versa? What?s going on? Have people forgotten to 7 eleven wage scandal ask artists if they are contemporary artists? One answer is that the term is was jane pittman when she died, a convenient generalization that does not lend itself to reflection and constant rethinking in the manner of established theoretical terms such as Postmodernism. It allows a separation from the act of scandal, making or doing art and the way it is then presented, explained and exchanged.

Both artists and curators can find a space in the gap between these two moments where they are temporarily considering an exceptional case with every new development or addition to the contemporary inventory. And Intrapersonal Perceptions Essay? Yet, an inventory of wage, art spaces alone, for example, cannot help us find a categorization of participation within the realm of the contemporary. The question is how to feminism art categorize art today in a way that will exceed the contemporary. The inclusiveness of the contemporary is under attack, as this very inclusiveness has helped suppress a critique of scandal, what art is and more importantly what comes next. We know what comes next as things stand—more contemporary art. The installation—and by association the exhibition itself—is the articulation of the contemporary. Even paintings cannot escape this “installed” quality, the considered and and Goodness, particular installation of things and images, even when approached in a haphazard or off-hand manner.

We all have an idea of what contemporary art represents while only knowing the specifics of any particular instance. It is wage scandal, this knowing what it means via evoking a particular that pushes people towards an attempt to transcend this generality. There has been a proliferation of discussions and parallel practices that appear to pittman she died operate in 7 eleven scandal a semi-autonomous way alongside contemporary art. They ignore it or take the work of the contemporary as an example of what not to do. Recent focus upon the documentary, educational models, and engaged social collaborations have attempted to establish and describe new relationships that operate outside and in opposition to the apparently loose boundaries of the how old pittman contemporary. 7 Eleven Scandal? These are engaged structures that propose limits and boundaries and take over new territories, from the curatorial to feminism art the neo-institutional, in wage direct opposition to the loose assumptions of the contemporary (in both its instrumentalized and capitalized forms). A good example might be the Unitednationsplaza project in Berlin. A series of discussions and lectures framed within the idea of an educational setting. Feminism Art? While the discussions and lectures appeared to address the possibilities of art now there seemed very little anxiety about the idea of actually bypassing the production of recognizable contemporary art forms.

The project itself was a melding of the scandal curatorial, the artistic, and the academic towards the creation of a series of by david, discursive scenarios that might defy not the commodification of scandal, art, but the absorption of everything within the authoritarian tolerance of contemporary production. The mediation of one’s own practice creates moments of feminism art, escape from the wage contemporary. Still, seeing this production of parallel knowledge creates a dilemma when it becomes the primary production of the Frege Essay contemporary artist. For even the 7 eleven “educational turn,” as figures such as Irit Rogoff and Paul O?Neill have termed it, quickly produces its own coding as part of the contemporary. Another key example of Frege on Truth,, this production of nuanced contemporary aesthetics is the recent reassessment of the documentary, a tendency that must be re-examined for its claims to evade the contemporary. Wage? As Maria Lind pointed out, the documentary practices which we see now.

are just as articulated in terms of structure, visuality, production, and protocol as any other relevant art of today. But they tend to be less formally seductive. And yet they are as complex as some work that is known to be “complex.” The look of objectivity is not objective, just as the look of Frege on Truth, Beauty and Goodness Essay, commercial materials is not necessarily commercial. 3. The most effective thing about this documentary strategy has been that the artists do not offer resistance to the contemporary by taking themselves out of the 7 eleven wage equation—even when they provide the narrative for escape. There is an implicit claim to objectivity that functions here as an aggressive option of is suffering, neo-objectivity in the face of co-option.

Without resisting that co-option structurally it becomes merely a way of standing offstage waiting for the moment to enter. The documentary has become a way of avoiding the wage problem of de-sublimation in the face of excessive sublimation. It is a semi-autonomous location where everyone lives to life fight another day at least. It is a place where there is still a them and us. A protest against the contemporary by refusing to acknowledge its scope. Art in this case has been formulated as a boycott of the subjective and has built barriers in the face of continuous and constant fragmentation. At best it has made exchange visible and created a new battle over what used to 7 eleven be called realism. On The? So, new consciousnesses around education and documentation provide glimmers of wage, clarity within the inclusive terrain.

Inclusion and exclusion suddenly become moments of clear choice—political consciousness starts to affect the notion of specific practice. Thinking about the buddha problem of contemporary art while producing new networks of activity that are marked by their resistance to contemporary art as a generality. It is the lack of wage, differentiation within the contemporary that leaves it as an open speculative terrain. Women's? This is what drives the discursive and the documentary as somewhat passive yet clearly urgent oppositions. A recent solution to the way the contemporary subdues differentiation has been to separate the notions of artistic and 7 eleven wage, other political engagements, so that there can be no misunderstanding that only the Essay Women's Agreement work itself, in all its manifestations, might be part of the “contemporary art context.” An example here would be Paul Chan, who has been described in biographies as an “artist and activist” in order to differentiate his engaged social function as a political agent from his work within galleries and museums. 4 We are aware that the activism feeds the art and the art feeds the activism, but in a distinct step away from the 7 eleven artists role in the shadow of conceptual art we find it is now necessary for many such as Chan to show that there is a limit or border to the embrace or effectiveness of contemporary art. Of course, there is a potential problem here in Perceptions terms of how we might define activism, for example, along with the use of the documentary among progressive artists. Taking a term such as activism and 7 eleven wage, combining it with an artistic practice that is is suffering, clearly of the contemporary shows a tendency to associate with earlier forms of certainty.

One form of 7 eleven wage, a reluctant acceptance is that it is currently impossible to escape the hold of the contemporary, but it might be possible to by david separate life and action from contemporary art. In these cases, we continue to wage read the work through the hold of the contemporary in terms of what gets made but we do this via an understanding that there are these other daily social activities that are not part of the “contemporary art context”—they do not share its desires, projections, and results. Philippe Parreno, Birthday Candles , 2007. The contemporary is more successful within cities. It relates to and Intrapersonal the increasing deployment of contemporariness as a speculative terrain of scandal, lifestyle markers that include art. The contemporary implies a sophisticated sense of networking. Was Jane Pittman She Died? Making things with an awareness of all other things. Joining a matrix of partial signifiers “that will do.” The clear Oedipus complex to kill those who came before has been transformed.

Relativism in this case is wage scandal, merely defined by context and is a non-activated neo-political consciousness. Within the contemporary there is a usefulness in all other forms of work. And there is feminism art, a paradox of an anti-relativism within the subjectivity of each artist and every artwork. Wage? Yet an increasingly radical anti-relativism shared by many causes unacknowledged tensions. The contemporary is marked by and Intrapersonal Perceptions Essay a display of self-knowledge, a degree of social awareness, some tolerance, and 7 eleven wage scandal, a little bit of irony, all combined with an on The Women's Agreement, acknowledgment of the failure of modernism, or at 7 eleven wage scandal, least a respect for trying to come to feminism art terms with the 7 eleven wage memory of something like that.

The contemporary necessarily restricts the on Truth, and Goodness sense in 7 eleven wage scandal which you are looking for a breakthrough. An attempt to work is the is suffering work itself. Unresolved is the better way, leaving a series of props that appear to wage work together—or will do for now. In this case no single work is everything you would ever want to do. This is the space of its dynamic contradiction. Hierarchy is Frege on Truth, Beauty and Goodness, dysfunctional and evaded by the contemporary, and therefore key political questions, whether ignored or included, are supplemented by 7 eleven scandal irony and coy relations to notions of Essay on The Women's Agreement, quality.

The contemporary comes to terms with accommodation. Fundamental ideas are necessarily evaded. For the 7 eleven wage idiom of the contemporary still carries the feminism art lost memory of a democratization of skill. Its grounding principles were based on universal potential. By your nature you are it by taking the decision to announce yourself. It is easy to “be”—just existing through work. The process functions in reverse sometimes as a coming-into-being through work. A place in the contemporary is established by a pursuit of contemporary art—not the other way around. Collective and documentary forms have attempted to escape, and to establish a hardcore, activist separation. 7 Eleven Scandal? A critique of anything and everything.

There has developed a need to find a secondary ethics in order to establish a zone of difference. Tweaking tiny details and working as another character alongside the on Truth, Beauty and Goodness Essay contemporary. For historically all profound “isms” in art were originated by 7 eleven wage scandal artists—in the case of the contemporary the artist is the originator of all subjectivities. But how can we avoid the post-contemporary becoming an historic nostalgia for the group or mere political identification? The basic assumption of the by david contemporary is that all we need is a place to wage scandal show—to be part of and just towards the when edge of contemporary art. Everyone in this zone of the exhibited becomes the exception within the tableau. 7 Eleven Wage Scandal? This leads to project-based strategies that paper over the neurosis of the exposed.

Desire and drive and motivation are sublimated. Every project-based approach creates a hypothetical method that endorses the mutable collective. Seeing clearly combined with instinct moments and always building. All contributing to feminism art a matrix of existing forms and justifying them by continued reappearance. Wage? The work always projects into the future while holding the was jane pittman recent past close at hand. It predicts the implications of itself and builds a bridge between the almost-known-but-half-forgotten and the soon-to-be-misunderstood. The contemporary artwork is always answering questions about itself and all other contemporary art. It used to be said that art is like theoretical physics—a specialization with a small audience.

It could have been a perfect research-based existence. Yet in a world where the contemporary artist is considered cynical you never meet an 7 eleven wage scandal, artist who completely gives up. The perceived lack of audience is transformed into layers of resistance—not to the work itself but to the encompassing whole. The contemporary is therefore the place of dynamic contradiction where the individual work is never more than the total effect. No singular work has more value in terms of life, function than any other. The discourse of contemporary art revolves around itself. It has become impossible to be outside and therefore understood in terms of a separation.

There is always an interest in showing something somewhere. Politics and biography have merged. We are all tolerant of 7 eleven scandal, art that is rooted in specific stories. Women's Agreement? This is the inclusive zone where the 7 eleven artist plays his or her own perspective for a collective purpose. The drive is towards unhooking from who you are while simultaneously becoming only yourself. Some people can sleep with their eyes open.

What does this process of constantly discovering yourself actually do? Is it a push for by david recognition? It creates exceptional individuals of globalization—“an aristocracy of labor,” as Shuddhabrata Sengupta put it. 5. Within the wage scandal slightly proven of the contemporary we are left with rankings, museum shows, money, and newness as markers of something within its institutional forms. Working continues in a flow determined by economic conditions.

And the obligation is to keep defending contemporary art in general even if you find it impossible. There might be an attempt to describe the free flow of ideas within the inclusivity. Audiences create barriers and obstructions in a soft war of aesthetic tariffs that regulate flow and consensus. Tiny flows and minor disagreements mimic drive and resist the external. The painful flow of life is sublimated. Change happens to other things but not within the realm of the contemporary. Boycotting everything is no longer an option; the strikes and Perceptions Essay, protests will be included, too. The system is resistant.

Moving against the stream is a problem, for it goes in every direction. Neurotic work is the reward. 7 Eleven? Something will happen. Excessive work is the contemporary struggle. Where capital is globalized it is necessary to be everywhere. Gathering to create exchange with people amid the evidence of the contemporary. For despite the fact that each language has its own rules and life is suffering buddha, gaps within it we find that it is impossible to find true contradiction within these boundaries. 7 Eleven Wage? Where would we find this gap? A hardcore perspective is always tolerated, but who’s being upset and irritated? Bourgeois value and capitalism are comfortable with every iteration of the contemporary, they literally support it.

The contemporary offers a specific tangent with a narrative. No longer does anyone care who did what first, the idea of the original doesn’t matter. This has been a style era rather than a specific moment of change or development. At the edge of practice we only find more things to be absorbed. At the center is a mass of tiny maneuvers.

Self-consciousness constantly rebuilds this site of continuity. It is stacked with self-referential work—all ready for self-aware re-reading, actions, and gestures. Certain terms have been established as a kind of and Intrapersonal Perceptions, lingua franca. It is a zone where it is possible to trust yourself within confusion. Learn communication skills. All the while students get smarter and recognizably different—ironic in a way that levers the critical tone a little higher and eases the zone a little broader.

Within this vague contemporariness people see more and more than they saw before. That is the genius of the regime. 7 Eleven Scandal? Contemporary art is the perfect zone of deferral. Pittman When She Died? No clarity can be overcomplicated when it is reproducing itself endlessly. Here we can encounter slightly different situations every day. Feuds with good men will not create a rupture here any more than the condemnation of obscenity.

The problematic cannot be destroyed. Jealousy in this environment is exhausting and 7 eleven wage, unproductive. Instrumentalization at the institutional level is always in place in order to defy the idea of a them and us. Why should I tell you whether what is produced is good or bad? No one can ever really understand the basis of is suffering, what I’m telling you. What?s readable?

Tell me about your work. How many voices are in your head? This has been the wage time of the curatorial text. In the service of many. Mathilde ter Heijne, Mathilde, Mathilde. , 2000, video. Essay On The Agreement? Image courtesy the 7 eleven wage artist and ARNDT gallery. Current art cannot be left to idle within the contemporary as a question of by david, taste or preferred subjectivity. There are real problems of differentiation that will be reshaped by the new academicization that the contemporary awaits. 7 Eleven Wage? The contemporary offers a multiplicity of artists whom we hope will coalesce like one of Negri?s global tribes into a force of implicit resistance, but the contemporary creates anxieties ensuring that all operators within it are forever awaiting a specific cue for action. This is why the contemporary arena doesn’t feel as if it is the place to really be starting anything, let alone a revolution.

Constant and arbitrary reversal of positions has come to be expected like a nervous twitch to keep us intrigued. The contemporary displays a disruption between intentions and results, leaving a contingent gap that makes it futile to look for contradictions. The displaced is uniquely discoverable here. An inability to project into the future, to finish narratives—having, by an accident of birth, missed the end of Interpersonal and Intrapersonal Essay, everything. Functioning on surplus energy, with a clear desire to get organized. They are about to wage scandal become organized by how old other people—instrumentalized, exchanged, and scandal, redefined by others. Knowing which “personal” to occupy is Frege Essay, of help here. We must assume that everyone is true. Trying on different personalities is forgiven within this realm. The decision to change an obligation.

Burning paintings is the originating myth. The point is to join the highway on the on-ramp at full speed, then chose which lane to occupy. Slowing down or getting on or off again is difficult and undesirable. Difficulty is internal in 7 eleven wage this place, and a completely different person emerges to occupy this internal space of thought and action. The contemporary is always an internal thing that is Interpersonal and Intrapersonal Perceptions Essay, expressed only partially on the external. It is full of ways to be misled and involves the avoidance of totalizing shifts masked by stylistic changes.

History defying becomes a complete rupture. Defying history is part of the past. The regime of the contemporary becomes more and more inclusive of 7 eleven wage scandal, its own past and eternal future. Bloated and on the edge of usefulness, it reaches out endlessly in all directions. But so did the flat earth that people once believed in, and so did the endless sky of the West.

This essay was developed during a weeklong seminar at Columbia University’s School of the Arts in October 2010. Special thanks to Robin Cameron and Ernst Fischer for the use of pittman when, their notes of the week’s work. The text was written for the book Cultures of the Curatorial (eds. Beatrice von Bismarck, Jorn Schafaff, Thomas Weski), forthcoming in 2011. Liam Gillick is an artist based in London and New York. His solo exhibitions include “The Wood Way,” Whitechapel Gallery, London, 2002; “A short text on the possibility of creating an economy of equivalence,” Palais de Tokyo, 2005; and the retrospective project “Three Perspectives and a short scenario,” Witte de With, Rotterdam, Kunsthalle Zurich, and scandal, MCA Chicago, 2008–2010. In 2006 he was part of the free art school project unitednationsplaza in Berlin. Gillick has published a number of Interpersonal and Intrapersonal Essay, texts that function in parallel to his artwork. Proxemics: Selected Writing, 1988–2006 (JRP|Ringier, 2007) was published in 2007, and the monograph Factories in the Snow , by Lilian Haberer (JRP|Ringier, 2007), will soon be joined by an extensive retrospective publication and critical reader. He has in addition contributed to many art magazines and journals including Parkett , Frieze , Art Monthly , October , and Artforum . Gillick was the artist presented at wage, the German Pavilion during the 53rd Venice Biennale in Frege on Truth, 2009.

Exhaustion and Senile Utopia of the Coming European Insurrection. A Letter from Donetsk: Art Amidst the Roses. Contemporary art does not account for that which is scandal, taking place. Culture Class: Art, Creativity, Urbanism, Part I. Politics of Art: Contemporary Art and the Transition to Post-Democracy. e-flux conversations is a discussion platform for e-flux readers. Click to start a discussion of the article above. See Liam Gillick “The Good of Work” e-flux journal , no. 16, (May 2010), >; and Liam Gillick, by Artspace, Auckland, New Zealand as the book “Why Work? ” (Auckland: ARTSPACE, 2010).

Hal Foster for the Editors, “Questionnaire on ‘The Contemporary,’” October 130 (Fall 2009): 3. Correspondence with the author, November 2010. For example, see “Carnegie International Artists Bios, 2004/2005,” > and “Laurie Anderson, Paul Chan, Richard Chang, Adam Kimmel, and Diana Picasso Join MoMA PS1’s Board of feminism art, Directors,” >. Quoted from Liam Gillick and Anton Vidokle, A Guiding Light , Shanghai Biennale; Performa, New York, 2010. See Liam Gillick “The Good of Work” e-flux journal , no. Scandal? 16, (May 2010), >; and Liam Gillick, by Artspace, Auckland, New Zealand as the book “Why Work? ” (Auckland: ARTSPACE, 2010). Hal Foster for the Editors, “Questionnaire on ‘The Contemporary,’” October 130 (Fall 2009): 3. Correspondence with the author, November 2010. For example, see “Carnegie International Artists Bios, 2004/2005,” > and “Laurie Anderson, Paul Chan, Richard Chang, Adam Kimmel, and Diana Picasso Join MoMA PS1’s Board of Directors,” >. Quoted from Liam Gillick and Anton Vidokle, A Guiding Light , Shanghai Biennale; Performa, New York, 2010.

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