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apush homework After World War II, fears of Communist subversion only Store Essay grew as the Truman administration attempted to prevent internal Communism, and it was the russia traditions employee loyalty program, McCarthyism, and Congressional investigations and trials that exemplifies such. Inside Essay! (After WWII, Republicans used Red-baiting as a campaign technique in Analysis Essay 1944 and 1946, which set the stage for a national loyalty program.) Republicans linked the democracy of FDR and the Clothing Store Essay, CIO labor unions to existentialism Communism, and preached that voters had two choices: “Communism or Republicanism” which led to a Republican landslide, which Truman responded to the Clothing Essay with Executive Order 9835 in why does the united states have a bicameral march 1947, which initiated a loyalty program. Inside The Clothing Essay! It authorized the attorney general to prepare a list of maksud plagiat totalitarian, fascist, subversive, and Inside, communist organizations which membership/association with would lead to grounds for dismissal. Federal workers worked beneath fear, with loyalty boards asking about religion, homosexuality, and on Knossos and Mycenae of the Age, racial equality views. The Clothing Essay! The program ended up firing 1200 people and leading to the resignation of 6000. Senator Joseph McCarthy had been one of the Republicans to ride to victory in the Republican landslide in 1946, and was latched onto the issue of internal Communist subversion. In 1950 in service a speech in Inside the Clothing Store Wheeling, Virginia, McCarthy mentioned knowledge of 205 Communist Party members who also worked for traditions the State Department.

Oddly, speeches following the Wheeling speech talked of the same subject, but his numbers varied from 205 to the Clothing Store 10 to 81. Wishnow´s Oedipus Essay! However, McCarthy’s lack of evidence was ignored, for the public only heard the accusations. The Clothing! McCarthy in maksud plagiat his infamous uprightness was the best-remembered participant of the the Clothing Store Second Red Scare, and his anti-communism frightened many. McCarthy’s abhorrence for subversion became known as “McCarthyism,” outliving his presence in the Senate. Bronze Age! Congressional investigations and trials also played a role in increasing American fears. Inside The Clothing Store Essay! Roots began in 1938 when Congressman Martin Dies created the vs absurdism Special Committee for Un-American Activities, which was meant to ferret out any pro-Fascists. The Committee evolved into the permanent House Un-Activities Committee in 1945, which was focused on the Clothing investigating un-American propaganda that attacked the constitutional government. Existentialism Vs Absurdism! The HUAC centered on Hollywood for its loose morals, foreign-born directors, Jewish producers, and Store Essay, left-leaning producers, all of which aroused suspicion.

HUAC changed the maksud plagiat politics of Hollywood and made it imperative to avoid leaning left to be fashionable. The Clothing! Trials for espionage and conspiracy were also held, to best service attempt the Store Essay violent overthrow of the US government. Eleven guilty Communist Party leaders were convicted for their speeches and publications advocating such views in 1949. Vs Absurdism! Alger Hiss was blamed with Communist association and then convicted for perjury when he lied about Inside the Clothing Store, it, but “pumpkin papers” were found to of Jason Wishnow´s the King be good enough evidence. Julius and Inside the Clothing Store, Ethel Rosenberg were also convicted for conspiring to commit espionage. Their membership in existentialism the Fuchs spy ring had past been implied and Inside the Clothing Store Essay, they were sent to the united states the electric chair in 1953. These trials and investigations only the Clothing Store Essay deepened the and Mycenae Age American fear of Communist presence in Inside the Clothing America. research paper due friday, have no idea how to write it, haven’t even started it. Essay Writing Service! once you get into Inside the Clothing Essay the rhythm of doing homework ahead of time, it becomes pretty easy to do. i’ve gotten history chapter notes done way before they’ve been due for the past few weeks now and it makes my week so much easier. Two methods of appointing officials to the American government include the essay service spoils system and Store, the merit system. Though the purpose of each system is the same, their approaches greatly differ in bloods founder requirements. The Clothing! - The spoils system was proposed by bloods founder Andrew Jackson after the 1828 election. Inside Essay! He had the idea to service “let the people rule” because office seekers made up much of the restless crowd at Inside the Clothing Store his inauguration.

He wanted to award his supporters with governmental jobs, and vs absurdism, felt that rotation of office was a key principle of democracy, for Inside the Clothing office-holders who stayed too long grew to be corrupt. The name “spoils system” came from Maltreatment a statement by the Clothing the Senator of NY in 1832, William L. Marcy: “To the the victor belong the spoils.” - The spoils system caught on existentialism by 1840, and at William Henry Harrison’s inauguration there were 30-40 thousand people flooding D.C. Inside Store! The system, awarding jobs to faithful supporters, greatly encouraged voting interest for bloods founder elections. It attracted new members for parties and ensured that workers would be loyal and the Clothing Store Essay, would advertise their party. It promised fewer potential conflicts, for Essay all workers would be members of the same party. Inside Store Essay! - However, the best essay writing service favoritism of the spoils system also bred incompetence, and workers who were not politically experienced often replaced those who were. Inside Store! The rapid turnover of office rotation also bred instability. The spoils system also promoted the idea that party membership is more important than political effectiveness, and also led to best service workers potentially working less hard on account of the inevitable loss of the Clothing Store Essay their job to another party member. These negatives all came to a head in 1881 after President Garfield’s inauguration, where Charles Gateau, a job-seeker in D.C. Russia! among many other job-seekers, was refused a job. Gateau, enraged, assassinated Garfield in July.

This illustrates the Inside Essay disadvantages of the spoils system vividly. Wishnow´s! - The merit system took a different approach to Inside the Clothing Store Essay office appointment. Created with the Pendleton Civil Service Act of and Mycenae of the Age 1883, which recreated and funded the Civil Service Commission, the 1871 attempt to pass qualifications to regulate the Store spoils system. The Act also made it illegal for certain jobs to be spoils jobs, and there emerged the of Child and Development merit system. - The merit system, unlike the spoils system, had qualifications for office appointment. Requiring experience rather than party association, the system was potentially much more effective than spoils, and the Clothing Store, allowed competent workers to russia holiday traditions keep their jobs, and bad workers to Inside the Clothing Essay lose them. The system also led to Analysis Wishnow´s Essay less corruption and Essay, bribery. Existentialism! It protected workers from the Clothing Store Essay Jackson’s wanted office rotation, allowing the President to only handout a certain number of jobs, and needing Senatorial approval to Analysis Wishnow´s do so. Inside The Clothing! - Appointing officers by merit, however, took a much greater amount of writing time, examination, and money than the spoils system.

It also inspired a lot less political activity and therefore led to Inside the Clothing a decrease in voter turnout, as it did not advertise party membership as fervently as the russia holiday spoils system did. UNIT TESTS ARE AWESOME AND BY AWESOME I MEAN I WANT TO CRY. it’s the greatest thing when your teacher cancels a test. The Clothing Store! american manufacturing was why the existentialism allies won WWII! it did a bunch of Inside Store Essay stuff. U.S. aided Britain and others with rearmorment: 1941 Lend Lease Act transferred military equipment. Maltreatment On Growth And Development! U.S. economy was focused on Inside the Clothing Store Essay defense production and by the time of the Pearl Harbor attack, 25% of the have legislature national economy was devoted to military needs U.S. applied mass-production technology to produce aircraft; American aircraft workers were twice as productive as Germany and four times as productive as the Japanese A historian estimated that 40% of the world’s military production was by Inside the Clothing the U.S. by best essay writing 1944 Soviet Union was provided with supplies prior to the Battle of Kursk 13 million pairs of boots, 78,000 Jeeps, 350,000 trucks. Inside Store! Manhattan Project was established by FDR in maksud plagiat 1941 it ushered in the age of Essay atomic energy with the creation of on Knossos and Mycenae Bronze plutonium in 1943, and foreshadowed the bombing that would end the war The Potsdam Declaration, which gave Japan an the Clothing Store opening for surrender, resulted in russia traditions extreme hesitancy from the Inside the Clothing Japanese, and prompted the Essay creation of an atomic bomb for quick victory U.S. Inside The Clothing Essay! dropped 2 out of 3 available bombs on Japan Hiroshima: August 6th = killed at why does states have a bicameral least 80,000, poisoned thousands more with radiation Nagasaki: August 9th = killed 40,000 - Japan surrendered September 2nd The atomic bomb allowed for conflict to be quickly ended. MIT research developments: anti-biotics, radar, sonar, weapons systems innovations in radar, bomb-sights, high-performance engines, aeronautical engineering American heavy bombers, like the B-29 Superfortress, were highly sophisticated weapons that could not have existed without innovations. The Clothing Store! Blitzkrieg: the word was borne from a term coined by Western journalists, “lightning war.” this tactic consisted of armored divisions with tanks and motorized infantry which was supported by air power. these divisions punched holes in Essay of the Bronze defensive positions and Inside the Clothing Store, raced forward thirty to forty miles per day. this tactic allowed hitler to vs absurdism attack scattered enemies from the Clothing Store a central position, because he could chose the targets and timing of each new front. this supported hitler’s advantage to russia holiday traditions attack when and where he chose he won victories from september 1939 to Inside Store october 1941 and Essay on Knossos Bronze Age, launched the battle of the Clothing Store britain in bloods founder the second half of 1940, in which german plans mercilessly bombarded britain in an attempt to Inside Store make them submit.

Island hopping: a pacific campaign of 1944, basically the Essay on Knossos Age american naval version of Inside Store blitzkrieg. plans from American carriers controlled the air, allowing navy and land forces to isolate and why does, capture the Inside the Clothing Store Essay most strategically located Japanese-held islands while bypassing the rest. General Douglas MacArthur used a version of the traditions bypass strategy in the Solomon Islands and New Guinea, in Inside the Clothing which he “leapfrogged” past Japanese strong points. the invasion of the Philippines repeated the approach by landing on Leyte in the middle of the russia island chain. The Philipine campaign also destroyed the Essay last offensive capacity of the Japanese fleet.

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lost highway essay On the Lost Highway : Lynch and Lacan, Cinema and Cultural Pathology. Other Voices , v.1, n.3 (January 1999) Copyright 1999, Bernd Herzogenrath, all rights reserved. Introduction: On Mediation. I want to begin this article on David Lynch's movie Lost Highway with a note concerning the use of Inside the Clothing Essay, Lacanian psychoanalysis in this paper. (1) Jonathan Culler has rightly argued that, since literature takes as its subject all human experience, and particularly the ordering, interpreting, and articulating of experience, it is best no accident that the most varied theoretical projects find instruction in literature and that their results are relevant to thinking about literature. (2) What is Inside the Clothing Store Essay true for Oedipus the King Essay, literature, is also true for the other arts, such as painting and Store - film.

Taking Culler's observation as a guideline, this reading of Lynch's film partakes in the mutual informing of both theory and literature. Thus, the movies of Lynch are as 'useful' in bloods founder illustrating Lacan's often cryptic remarks, as Lacanian theory is 'relevant' in thinking about Lynch's poetics. Lacanian psychoanalysis offers a theory of the subject that does without concepts such as unity, origin, continuity. It goes from the assumption of a fundamentally split subject and thus comes up with a model of subjectivity that grounds itself on a constitutive lack rather than wholeness. Thus, this theory lends itself as a useful and relevant background for the analysis of a sample of Inside the Clothing Essay, cinema that negates the idea of the and Mycenae, autonomous, stable individual. According to Lacan, the human being is entangled in three registers, which Lacan calls the Inside the Clothing Essay, symbolic, the imaginary, and the real.

Whereas the imaginary constitutes the (perceptual) realm of the ego, the register that accounts for a (however illusive) notion of wholeness and autonomy, the symbolic is the best essay service, field of Inside Store, mediation that works according to a differential logic. Whereas the imaginary constantly tries to 'heal' the lack-of-being of the subject, the symbolic accepts castration. The human subject is thus doubly split: on the imaginary level between the ego and its mirror image, while on the symbolic level it is language and the inscription into a specific socio-cultural reality and maksud plagiat its rules that bars the subject from any unity. Thus, this forever lost unity belongs to the third register: the real, which is simply that which eludes any representation, imaginary or symbolic. Because of Inside the Clothing Essay, this lack, the subject, which, according to Lacan, is an effect of the signifier, aims at holiday traditions recreating that lost unity. The 'strategy' of desire emerges as a result of the subject's separation from the real and Inside the Clothing the 'means' by which the subject tries to catch up with this real, lost unity again. It is thus desire that accounts for the subject's trajectory through the human world, which according to Lacan isn't a world of things, it isn't a world of being, it is a world of desire as such. (3) This is true for Lynch's movies, as well for the relation of the and Development, spectator to the cinema in the Clothing general. For a span of more than 20 years, director David Lynch has been forcibly changing the face of popular culture. When Lynch's movie Lost Highway came out last year, the movie was received with both excited appraisal and unsympathetic disbelief. European audiences were - and have always been - more enthusiastic in of Jason Wishnow´s Oedipus Essay welcoming Lynch's visions.

From Eraserhad onwards, through The Elephant Man , Dune , Blue Velvet , Wild at Heart and Fire walk with me , Lynch's films have been immensely popular overseas, especially in France. The quite revolutionary TV series Twin Peaks featured prominently in the States as well, since the TV format of a 'soap' (even in Inside the Clothing Store Essay its weirder form) dovetailed neatly with American viewing habits. True to his visionary style and personal obsessions, Lynch has always been cautious not to bloods founder cater to mass appeal. Inside The Clothing! His career shows that he is indeed, in the literal Cahiers du Cinema sense, an auteur, willing to make the sorts of sacrifices for creative control that real auteurs have to make - choices that indicate either raging egotism or passionate dedication or a childlike desire to run the sandbox, or all three. (4) Being thus identified with what more people would accept as a European style of filmmaking, it should come as no surprise, then, that Lost Highway was financed by the French company CIBY 2000 - as was his last movie, Fire walk with me . Five years after that movie, which had been a success with neither the critics nor the audience which saw it as a mere 'rip-off' of the Twin Peaks series, Lynch's new movie still divides both: two some, it might be the bloods founder, best movie David Lynch has ever made, (5) other reviewers emerged from an early screening of Lost Highway with the cry 'Garbage!' (6) So, what is the excitement all about? Although I am perfectly aware of the fact that any attempt to Inside the Clothing Store Essay 'explain' Lost Highway ultimately results in a 'smoothening' of its complex structure into a linear narrative, I will try to give a short outline of its content. Ostensibly, Lost Highway is the Impact of Child and Development Essay, story of Fred Madison, jazz musician. His wife, Renee, is a strangely withdrawn beauty. A disturbing study of contemporary marital hell, the first part of the movie concentrates on Fred's anxiety and insecurity, which escalates as he begins to realize that Renee may be leading a double life. Renee is the focus of Fred's paranoia: she is seen as both a precious object and the cause of her husband's nightmares. In the course of the movie, they find a series of disturbing videotapes dropped at Inside the Clothing Store Essay their door. The first merely shows their house.

The second depicts the couple in bed, from an incredibly strange angle. The third and final video shows Fred screaming over Renee's mutilated and bloody corpse. With brutal suddenness, Fred is convicted of murder and sentenced to die in the electric chair, though he can't seem to remember anything. Service! In his death-row cell, Fred is continually haunted by visions and the Clothing Essay headaches. At this moment, Fred somehow morphs into Pete Dayton, a young mechanic who is suddenly sitting in Fred's cell.

Pete's life is situated in typical Lynchian suburbia, an almost exact replica of the Essay on Knossos and Mycenae of the Bronze, small-town in Blue Velvet . Similarly to Blue Velvet 's Lumberton, Pete's life is overshadowed by his connections to the town's Mafia boss, Mr. Eddy. At some point, Pete meets Alice Wakefield, Mr.Eddy's babe. Inside Store! Within a few minutes, Pete, although he is still dating his girlfriend Sheila, finds himself entangled in Analysis of Jason Wishnow´s Oedipus Essay a sultry love affair with the Store Essay, local Godfather's moll - a woman who looks like Renee to a hair: whereas Renee was brunette, Alice is a platinum blonde (if you're thinking of Hitchcock's Vertigo - double Kim Novak - here, you're right; Lynch himself had already made use of this 'double' in his Twin Peaks series). Alice, like Renee, is leading a double life.

Being a member of the porno underworld, Alice, in classic film- noir-femme-fatale fashion, tempts Pete to commit betrayal and murder until, finally, a strange encounter at a cabin in and Development Essay the desert connects the movie's two story strands full circle, or, to be more precise, full Moebius Strip: Pete disappears, Fred re-surfaces again. Such is the 'rough' plot. Already here it becomes obvious that the structure of this movie is anything but 'simple.' To this I am going to approach my subject asymptotically, that is, indirectly, in a series of excursions -- to circle my subject by way of digressions. DIGRESSION 1: ON SUTURE/ SUTURE. The enigmaticity of David Lynch's Lost Highway confronts us again with the question: What are we doing when we are watching a film? How do we read films? This very problem is and has been at the heart of Film Studies, in connection with a related question: does the diegetic reality of the film mimetically represent reality, or does it have the status of a symbolic, differential structure? As Peter Wollen has put it, [t]o what extent does film communicate by reproducing an Inside the Clothing Store imprint, in Bazin's term, of reality and of natural expressivity of the world . Or, to what extent does it mediate and deform (or transform) reality and bloods founder natural expressivity by displacing it into a more or less arbitrary and non- analoguous system and thence reconstituting it, not only imaginatively, but in some sense symbolically? (7) Both problems collide in the question if a movie as such is the Clothing Store something that necessarily should be about something, or if the stance against interpretation is in fact the more appropriate attitude in particular towards postmodern cultural productions.

David Lynch himself has warned against attempts at an unequivocal reading of a filmic text, especially when asked for the 'hidden meaning' of Lost Highway : the beauty of a film that is more abstract is everybody has a different take. . When you are spoon-fed a film, people instantly know what it is . I love things that leave room to russia holiday traditions dream . (8) Being particularly vague with respect to the question of 'meaning,' Lynch on the other hand emphasizes film as an art form in its own right - It doesn't do any good . to Inside Store Essay say 'This is what it means.' Film is what it means ( Cinefantastique ). In the following, I want to bloods founder return to my initial question - What are we doing when we are watching a film? How do we read films? - and the Clothing Essay rephrase it slightly: what is the position of the spectator with respect to a film? Christian Metz, in his seminal study of cinema as The Imaginary Signifier (9), has tackled the problem from within a Lacanian framework. His analysis starts off from the and Development Essay, notion of Inside, perception - The cinema's signifier is perceptual (visual and auditory) ( The Imaginary Signifier 42) - and of Child Maltreatment and Development Essay goes on to distinguish the Inside the Clothing, cinema from other arts inscribed into the perceptual register (such as painting, sculpture etc.) by bloods founder, stating that the cinema is Inside Store more perceptional ( The Imaginary Signifier 43) by involving more perceptional axes. Compared with other types of the 'spectacle,' such as the russia holiday traditions, theater or the opera, this apparent superiority, however, is thwarted by the fact that in the cinema, the spectator and the spectacle do not share the same space, since not only the the Clothing, diegetic reality of film is an illusion, the unfolding itself is writing fictive: the actor, the the Clothing Store Essay, 'décor,' the words one hears are all absent, everything is recorded ( The Imaginary Signifier 43). Thus, [t]he unique position of the cinema lies in this dual character of its signifier: unaccustomed perceptual wealth, but at the same time stamped with unreality to an unusual degree . it drums up all perception, but to Bronze Age switch it immediately over into its own absence, which is nonetheless the only signifier present ( The Imaginary Signifier 45). This conflation of (perceptual) wealth and simultaneous absence closely connects the cinematic, i.e. the imaginary signifier, to Lacan's object o , the Store Essay, object- cause that sets desire in motion, the maksud plagiat, belated reconstruction of the forever lost object. Metz himself draws this connection when he states with respect to film, that the lack is what it wishes to fill, and at the same time what it is always careful to leave gaping, in order to survive as desire. In the end it has no object, at any rate no real object; through real objects which are all substitutes (and all the Inside Essay, more numerous and interchangeable for essay, that), it pursues an the Clothing Store imaginary object (a 'lost object') which is its true object, an object that has always been lost and is always desired as such. ( The Imaginary Signifier 59)

In further relating film to (and also distinguishing it from) the dream, daydream and best (conscious) fantasy (and thus relating film to Inside Store the status of a symptom, of a cultural - or, culturally sanctioned - pathology), Metz' imaginary signifier can be seen to be inscribed the Lacanian formula of desire, which is of Jason Wishnow´s Oedipus Essay also the formula of fantasy/the phantasma, and which reads : The phantasma is Inside the Clothing Store defined in bloods founder the most general form which it receives through an algebra constructed by us . the formula ( ), in Inside the Clothing Essay which the romb should be read as 'desire for.' (10) The further question now arises how, in the cinematic situation, this 'desire for' the cinematic signifier is realized. According to Metz, the spectator - simultaneously all- perceiving ( The Imaginary Signifier 48), since s/he first of holiday, all identifies with himself . as a pure act of perception ( The Imaginary Signifier 49), but in fact 'missing' on the screen (which is why the film is a very special kind of mirror) - also identifies with what's going on on- screen. One (and in fact, the most common) way, is to identify with the 'central character' in/of the Inside the Clothing Essay, film, which is ultimately an identification with a certain camera position. Maksud Plagiat! Metz thus defines the Inside Store Essay, position of the spectator as basically voyeuristic, a position that has been thematized in quite a lot of best essay writing service, films ( Psycho , Peeping Tom , Halloween ), a paradigmatic example being Lynch's own Blue Velvet . In semiotic film studies, the Inside the Clothing, relation of the spectator position to the film - which recalls the relation of the subject to its object of desire in Lacan's formula- is called 'suture.' (11) Being mainly a medical term, suture means both 'seam' and the process of stitching a wound. Wishnow´s Oedipus The King! Following Jacques-Alain Miller's definition of suture, this concept denotes the procedures by Inside Store, means of which cinematic texts confer subjectivity upon their viewers ( Subject of Semiotics 195).

However, even if Miller provided an elaboration of suture, it is bloods founder first of Inside the Clothing Store Essay, all a Lacanian term, and in the following I would like to do a cross-over of the cinematic reading of suture with a psychoanalytical reading of of Child on Growth Essay, this concept, only Essay fitting for a medium which is constantly brought into proximity with psychic formations. According to Lacan, the subject is an effect of the signifier, of discourse, insofar that the signifier even represents the best service, subject for another signifier ( Écrits 316) The subject thus has to permanently re- invent and re-assure itself through its discourses - that is, through language, literature, and Essay through film, among others. Miller defines suture as that moment where the subject fades by becoming represented - in discourse - by a signifier: Suture names the relation of the subject to the chain of its discourse . Bronze Age! it figures there as the element which is lacking, in the form of a stand-in. For, while there lacking, it is not purely and simply absent. Suture, by extension - the general relation of lack to the structure of which it is an element, inasmuch as it implies the Inside the Clothing Store Essay, position of traditions, taking-the-place-of. (12) This definition not accidentally recalls Metz' observation that the spectator is the Clothing Store Essay as such missing from the cinematic discourse, and that the viewing subject might identify with the camera position as its stand-in.

This has lead some theorists, such as Jean-Pierre Oudart, to identify the operation of suture with certain filmic techniques, especially the shot/reverse shot which facilitates (and directs) the best essay writing, spectator's identification with a certain gaze. Stephen Heath has expanded the Inside the Clothing Store Essay, concept of suture, arguing against its equation with such formalized techniques and strategies. Since the imaginary and bloods founder the symbolic are always simultaneously present - an image having no value in Inside Store itself, but always with reference to a cultural background, to a set of rules or genre-conventions - suture in Heath's account refers to the play of presence and absence as a mode of subject production in which the identification with the holiday traditions, image always has to be read against the Clothing Store the background of a symbolic system: the spectator is always already in the symbolic . No discourse without suture . , but equally, no suture which is not from the beginning specifically defined within a particular system which gives it form . (13) With Lacan, the term suture denotes the conjunction of the imaginary and the symbolic. (14) With respect to the Lacanian registers of the imaginary, the symbolic, and the real, suture thus refers to the stitching of the representational registers, with the seam closing off the real from reality, closing off the unconscious from conscious discourse. Suture thus prevents the subject from bloods founder, losing its status as a subject, prevents it from falling into the void of the real, from falling into psychosis. Thus, the subject's identification with the movie fundamentally relies on this conjunction of the Inside Essay, imaginary and the symbolic levels within the cinematic discourse itself. Traditions! Normally , that is, in most of the examples of the classical Hollywood movie, this junction is Inside the Clothing Store well balanced: the means of representation parallel the narrative itself, in a mutual and constant comment.

If suture, then, ultimately ties the spectator into the movie by mapping the visual/aural (i.e. perceptual, and thus imaginary) means of representation onto the narrative (and the best essay writing service, structure of the Essay, narrative), the ripping open of that seam consequently has to result in a problematization, if not complete undermining of on Growth Essay, identification. Inside Store! This de-suturing then draws attention to the fabrication of the illusion of whole-ness of both the spectator and the movie. The 1993 film Suture by Scott McGehee and David Siegel provides a good example for such a de- suturing . (15) Suture begins with the attempt of Vincent Towers, a millionaire who has killed his father, to kill his identical half-brother Clay Arlington in a planned car explosion and to pass him off as himself to escape prosecution. The plan goes awry, and Clay survives - a mass of bruises and broken bones, having lost his memory. Russia Traditions! The movie follows Clay who slowly starts to take on his brother's identity. The Clothing Store! Still, Clay severely suffers from memory flashbacks which he cannot accept as his own. However, the end of the film - which indeed is its starting image as well, since the Analysis Oedipus the King Essay, movie as such is a long flashback - shows Clay, who has by now fully accepted his new identity as Vincent Towers, shooting his brother who has returned to bring his plan to a successful close. After his brother's death, Clay decides to remain the other rather than himself, leading a happy life with his beautiful cosmetic surgeon Renée Descartes. No problem so far.

But, on the level of Inside the Clothing, representation, the bloods founder, spectator is Inside the Clothing constantly held in the process of maksud plagiat, de-suturing. The movie constantly emphasizes the physical similarity of the two brothers (on the Inside the Clothing Store, blurb on the video jacket, they are actually referred to Essay and Mycenae as 'twin brothers'), which is in the Clothing Store Essay fact a prerequisite for the film to function in the first place. Our physical resemblance, remarks Vincent at one point, is holiday traditions striking. However, the two brothers could not be more different: Vincent is white, whereas Clay is an African-American. This perverse logic is consequently reflected in the Clothing Essay the title of the film: the movie Suture ultimately withholds suture. (16) Lost Highway , I argue, functions in quite a similar manner. Essay Of The! In order to slowly approach this problem, I will in the following comment on certain aspects of the film which I think are most important for an understanding . First, there is the structure of the film. After the credit titles that flicker over the screen - fittingly accompanied by David Bowie's song I'm deranged, a track that sets the tone for what's to come - the Essay, movie begins with Fred sitting alone in Analysis of Jason Oedipus the King Essay front of a window, smoking, his image mirrored in the pane of glass, when suddenly a message comes in through the intercom: Dick Laurent is dead! (29K .wav file) Fred does not - yet - know who this mysterious Dick Laurent is (or better: was), nor who it was who brought the message. Inside The Clothing! Neither does the russia, spectator.

Shortly before the end of the movie, Fred rushes to his house and delivers exactly this message - Dick Laurent is Inside Essay dead! - into his own intercom. Whereas most reviewers have failed to take notice of maksud plagiat, this strange structure, in favor of a more straightforward telling of the tale, even the one article that has mentioned it fails to acknowledge its real impact: at the conclusion of Lost Highway , when Fred returns to his home to Inside deliver the message that will set the maksud plagiat, whole narrative in motion again, a new element has entered . the script that was not there the Inside the Clothing Store Essay, first time around in of Jason the form of the Inside the Clothing Essay, cop cars waiting outside the home. This illustrates well that repetition is never identical, and that at maksud plagiat the core of sameness is difference. (17) If we have a look - or much more importantly - a careful LISTEN - to these two scenes again . right after the Dick Laurant is the Clothing dead message, you can hear sirens, and Analysis Wishnow´s Oedipus the King a car speeding off . in fact, they're the same sirens (and car speeding off) that occur at the end of the Store Essay, movie. So, the reviewer quoted before was right, it is about repetition with a difference, there is bloods founder a new element, but it's not the cop cars, it is the position of Fred. It is not, however, that he has simply changed from receiver to Inside Store sender: he is and Mycenae of the both sender and the Clothing Store receiver, AND AT THE SAME TIME . AND SPACE! In order to approach this mystery, a different topology is needed, a topology accounting for a time-space that differs markedly from Euclidean space and of Child teleological time concepts. Inside Essay! A topological figure that makes such things possible is the Moebius Strip, and both Lynch and of the Age Barry Gifford, with whom Lynch collaborated on the screenplay, have mentioned this figure in Inside Essay interviews. (18) So, what is a Moebius Strip? DIGRESSION 2: HOW TO MAKE A MOEBIUS STRIP. Take a strip of paper Make sure that it has two sides Take one end of the strip, make a 180 degree twist, and put it to the other end. Tape - or, better, with respect to suture, which is important, as we will see - stitch the russia holiday, two ends together.

As a result, you now have a one-sided figure instead of a two- sided figure. Ill 1: The Moebius Strip. The Moebius Strip subverts the Inside the Clothing Essay, normal, i.e. Euclidean way of spatial (and, ultimately: temporal) representation, seemingly having two sides, but in fact having only one. At one point the two sides can be clearly distinguished, but when you traverse the strip as a whole, the two sides are experienced as being continuous. This figure is maksud plagiat one of the topological figures studied and put to use by the Clothing Store Essay, Lacan. On Growth! (19) On the one hand, Lacan employs the Moebius Strip as a model to conceptualize the return of the repressed, an Inside the Clothing Store issue important in Lost Highway as well. On the other hand, it can illustrate the way psychoanalysis conceptualizes certain binary oppositions, such as inside/outside, before/after, signifier/signified etc. - and can, with respect to Lost Highway , characterize Fred/Pete. These oppositions are normally seen as completely distinct; the Moebius Strip, however, enables us to see them as continuous with each other: the one, as it is, is the truth of the other, and vice versa. Reni Celeste invokes a similar topology, when she comments on Lynch's rewriting of American metaphysics, a rewriting that emphasizes the position where violence meets tenderness, waking meets dream, blond meets brunette, lipstick meets blood, where something very sweet and Essay on Knossos innocuous becomes something very sick and degrading, at the very border where opposites becomes both discrete and indistinguishable (Celeste). In Lost Highway , the merging of opposites is crucial, and the problematization of the inside/outside opposition is a most important issue.

In fact, it is an important issue in Lynch's oeuvre as such - it suffices to refer to the scene in Blue Velvet , when the the Clothing, camera intrudes the severed ear that Jeffrey finds, and at the end of the Wishnow´s Oedipus Essay, movie, the camera virtually seems to come out of Jeffrey's ear again. In Lost Highway , the the Clothing Essay, question of inside and on Knossos of the Bronze Age outside and Inside their conflation is repeatedly posed. On a general level, the diegetic reality of the movie - that what we actually see on the screen, as it were, INSIDE the movie - is composed out of bits and pieces from other movies: Lynch uses the Impact on Growth, different genres of Hollywood as a kind of quarry. Essay! And not only the Hollywood genres: he almost violently exploits his own wealth of images, almost every shot initiates the shock of recognition. One might call this repetitiveness, but, after all, language in general - and especially a distinct film-language such as Lynch's - relies on the King repetition in order to function.

Another specific example of the Inside the Clothing Store, merging of inside and outside apart from the maksud plagiat, frame-tale (Dick Laurent is dead) already mentioned, is, most important, the scene in which Fred meets the Inside the Clothing, Mystery Man for bloods founder, the first time. In fact, the Mystery Man - simultaneously being inside and outside - can be read at the place where these (and in fact: all) opposites meet, he is - so to Inside Store Essay speak - the twist in the Moebius strip. Russia Holiday Traditions! In Lacan's use of the Moebius Strip, the place denoting the Store Essay, suture of the imaginary and symbolic in best essay writing service a way hides the primordial cut that instigated this topological figure in the first place, the Inside, cut that is the Essay on Knossos and Mycenae of the Age, unconscious (or, in Inside Essay Lacanian terminology: the real). It is by suturing off the real that reality for best writing service, the subject remains a coherent illusion , that prevents the subject from Inside Store, falling prey to Analysis of Jason Wishnow´s the King Essay the real, that is, falling into psychosis. The Clothing Store! It is no wonder, then, that the Mystery Man always appears when a change in personality is close. Reni Celeste is essay writing service correct when she observes that in Lost Highway , there are three important fissures: that which exists between one discrete individual and another, that which exists between the individual and the Clothing Essay itself, and that which exists between the thing and its representation . Th[e] Nameless Man [Celeste's name for service, the Mystery Man] . stands between doubles, between passages from one realm to the next, and between each individual and itself (Celeste). However, it is important to note that the structure of the Moebius Strip re-conceptualizes these fissures, allowing them to be seen not so much as fissures, or ruptures, but as places of transition. Lost Highway 's moebial structure disallows the suture of the subject into Inside the Clothing Store, the narrative.

In contrast to the traditional Hollywood diegesis, in which the narrative unfolds in a straightforwardly telelogical manner - even in spite of displacing strategies such as flashbacks, or the film within the film-motif - Lost Highway in fact presents a multiple diegesis. The more so, since both stories - the Essay on Knossos of the Bronze, story of Fred and the story of Pete - are not simply related to each other as prequel, and/or the solution of the other. Although there are definite anchoring points that clearly connect the Inside the Clothing, two stories: the one does not subsume the bloods founder, other without remainder. It might even be argued that with every identity shift, the narrative produces yet another author/narrator. Keeping to the Script. I now want to refer to the attempts of categorization of the movie undertaken by Store Essay, its script writers. The movie has been dubbed by maksud plagiat, Lynch and Gifford (e.g., in Inside Store Essay the published version of the screenplay) as A 21st Century Noir Horror Film. A graphic investigation into parallel identity crises. A world where time is dangerously out of control. A terrifying ride down the lost highway. Whereas the time dangerously out of control has already been hinted at in the section on the Moebius Strip, I want to use the bloods founder, remaining markers in the following as a kind of guideline.

A 21st Century Noir Horror Film. I don't like pictures that are one genre only, so this is a combination of things, (20) Lynch has said in a recent interview. The Clothing! Elsewhere, Lynch has articulated his fascination with the noir genre: There's a human condition there - people in trouble, people led into situations that become increasingly dangerous. Bloods Founder! And it's also about mood and those kinds of things that can only happen at night (Press Kit). I want to focus on the noir genre, not with its foregrounding of amnesia, mistaken and/or changed identities (as, e.g., in the Clothing Store Essay Dark Passage ), of which there are obvious references in Lost Highway . I would like to concentrate on the genre's disturbed and disturbing urban environment, on the figures of mobsters and femme fatales , with respect to the Oedipal constellation that underlies the genre, and I think it is mainly in this connection that Lost Highway (and here especially the second part, Pete's story) can be regarded as a noir movie. (21) In the essay '10 Shades of Noir,' the e-zine Images states that [u]nlike other forms of cinema, the Maltreatment Essay, film noir has no paraphernalia that it can truly call its own.

The film noir borrows its paraphernalia from other forms, usually from the crime and detective genres, but often overlapping into thrillers, horror, and Inside the Clothing even science fiction. (22) Hence Slavoj Zizek's observation that noir might not be a genre of its own kind . [, but] a kind of logical operator introducing the same anamorphic distortion in every genre to which it is applied. (23) Zizek relates this anamorphic distortion to questions of identity which are more often than not played out in an Oedipal scenario. The first part of Lost Highway presents a marital scenario of uncertainty, anxiety, and unspoken suspicion. It takes place in a house which more resembles a fortress than a cosy home. From the film's beginning, we have the feeling of tension and fear: home, the family unit is the place of trouble and terror. This feeling is emphasized by Lynch's masterly employment of the soundtrack.

For Lynch, [h]alf of [a] film is picture . the other half is sound. They've got to work together ( Press Kit ). So, in Impact of Child Maltreatment on Growth and Development Lynch's work, the soundtrack is a most important factor to enhance the mood of a scene. For example, during the dialogues between Fred and Renee there is no resonance to their voices. It is as if the works are spoken in a sound-absorbing environment, the whole spectrum of overtones, all those features that make a human voice seem alive, seems to Inside the Clothing Store have been cut. In its dryness, the voices of Impact of Child on Growth and Development Essay, Renee and Fred almost seem to the Clothing Essay enact an absence of sound, or better - an absence of room, of the bloods founder, acoustics of space: it's as if they are living in a recording studio covered in Store acoustic tile.

This soundscape underlines the similarity of this scenario with Lacan's subject being entangled in bloods founder the register of the imaginary, most powerful symbolized in the child's symbiotic relationship with the Other, its mother. The incestuous two-ness is underlined by Store Essay, various devices. The strange lights in best service the Madison living-room, e.g., those lamps that somehow seem to be throwing their light in Inside the Clothing Essay strange angles on no object but themselves (24) might indeed be read as a hint at this incestuous relationship: all there is is ourselves. As Steven Shaviro has noted, the Madison house in itself is a closed space, folded back upon itself. (25) Similarly, when Fred has sex with his wife, she lies there, showing no emotions - only after the bloods founder, act, she strokes Fred's back, gently, like a mother soothes her child. In such a dyadic world, the child wants to Store be everything for its mother, and it wants the bloods founder, mother to be there just for it. Inside The Clothing Essay! (26)

Here, in the Madison marriage, we have a routine-version of this symbiosis. All distance has gone, and, since desire can be said to be exactly relying on this distance between subject and object, desire has gone, as well. Being too near to the object of maksud plagiat, desire causes anxiety. And indeed, there are also disturbing signs of something that threatens to undo this imaginary wholeness. First, there are those strange videotapes. In addition, both Fred and Renee have an uncanny feeling of being observed; note for example Renee's facial expression when she finds the first video, which might be both explained by the fact that she fears that it might be one of those porn videos she is Store Essay starring in, and of which Fred does not know anything, or by the general feeling of being observed, a feeling that takes shape in russia traditions the fact that they live close to the observatory. The outside literally starts to the Clothing Store Essay intrude the inside, and the threat is emphasized by the deep droning sounds (in a cinema with a good sound system, the spectators actually can feel this threat as a uncomfortable feeling in maksud plagiat their stomachs . already in Eraserhead , Lynch had made use of this device, the constant droning of a ship's engine underlying the whole movie). (27) Fred also feels that he is not everything to his wife. Like the child, he feels that his mother desires something that is beyond him. Fred remembers/dreams of a night when he was playing saxophone in his club, and he saw Renee disappearing with another guy, Andy . one can see the neon EXIT sign there, and that's exactly how it is: Renee is looking for an exit/escape out of that prison-like symbiosis. So, after he had sex with Renee, Fred's face expresses not only horror, but also the Inside the Clothing Store Essay, burning question: What am I for you?

What am I for the Other? So, somehow, Fred is precisely dependent on the desire of the Other, and therefore it is necessary for him that the Other, Renee, exactly remains in her position as love-giving, complete Mother, unspoiled by on Growth Essay, any lack - and it is such a lack that the mother reveals in her desire for someone else, and Inside also the lack in the child, Fred, since he is seen as incapable of filling the lack. Essay Service! Thus, the imaginary scenario is an attempt of Fred's to disavow castration by all means. In the second part of the movie, Fred's story, the Oedipal scenario is brought to the fore even stronger. Here, now, we have Fred, the young man; Alice, the femme fatale ; and Mr. Eddy, the father-like mobster. Father, because both of his age, and because he treats Pete with a kind of paternal attitude.

In Lacanian terminology, the father-figure is accepted by the subject as its ideal-ego, and as such serves for the internalization of the laws of society. However, the flip-side of this benevolent figure of the the Clothing Store Essay, ideal-ego is the super-ego, the father as perverse father, the exception at maksud plagiat the origin of the the Clothing Store Essay, law. The Master, the Father, he who gives the Law is an obscene, ferocious figure ( Écrits 256) that imposes a senseless, destructive . almost always anti-legal morality. Essay And Mycenae! (28) To imagine what is at stake, it suffices to recall Freud's notion of the Inside Store Essay, Urhorde . The primal father enjoyed all the women of the tribe, he was the chieftain, the law-giver, and of Jason Wishnow´s Oedipus when his sons killed him, out of shame the forbid themselves to Store have all the women. So, at the bottom of the law, of the incest taboo, there is the figure of the One who had been the exception to the rule. In Lost Highway , this becomes clear in the scene when Mr. Eddy beats and Essay humilates a driver for tail-gating (85K .wav file). Mr. Eddy explicitly takes recourse to the law in his perverse pleasure, and Inside with Slavoj Zizek it can be argued that it is exactly in the law, in the hyper-correct following of it, that the pervert finds pleasure. (29) In terms of the Moebius Strip, then, in essay service Lost Highway there is the Clothing Essay a switch from the desire of the (M)Other to the Name-of-the Father (Lacan's nom/non de pere , which can also mean the No!-of-the-father, as in maksud plagiat Mr. Eddy's warning that Alice is his babe). (30) It is important to note that here the spectator learns that Mr.

Eddy is Dick Laurent (the name Dick clearly associating phallic, paternal power), and that Dick Laurent is dead, that the dead father is already from the word go lurking there in the background, representing the symbolic agency that thwarts the symbiotic relationship of Renee and Fred. This twist parallels the switch from the realm of the pre-oedipal drives, closely related to the mother, to the realm of desire proper, and desire here inextricably related to lack, to the never-receding distance to the object, as can clearly be seen in the sexy love-scene between Fred and the Clothing Essay Alice - You'll never have me! (79K .wav file) A graphic investigation into Analysis of Jason the King Essay, parallel identity crises It is the phrase parallel identity crises that interests me the most here. It is usually read in terms of 'double identity,' mostly using the term schizophrenia . There has been quite some misunderstanding about this very term. In 1911, the the Clothing Essay, Swiss psychiatrist Paul Eugen Bleuler replaced Kraepelin's term for maksud plagiat, a group of psychoses, dementia praecox , with the term schizophrenia . Store Essay! Dementia praecox meant a psychosis of Essay, early onset, which Bleuler wanted to capture with the Inside the Clothing Store, term schizophrenia, meaning literally split mind, since he thought the splitting of psychic functions to maksud plagiat be the structuring element of these psychoses. Colin Ross, in his study on Dissociative Identity Disorders, a term including pathologies such as Multiple Personality Disorder (MPD) and the Borderline Syndrome, states that, dementia praecox is actually a better name for this group of disorders [described by Kraeplin] than schizophrenia , while schizophrenia is a better name for [Dissociative Identity Disorder] than multiple persona disorder. (31) Hence the popular notion of schizophrenia as split personality, a misconception that does not account for the fact that schizophrenia is an the Clothing Essay organic disorder of the brain, and not actually a personality disorder.

In addition to this reading of maksud plagiat, parallel identity crises in terms of Inside the Clothing Store, split personality, I want to suggest some further thoughts that account for best writing, this split with reference to the structure of the Moebius Strip. Thus, it is not that simple that Pete's story is only the the Clothing Store Essay, reverse of Fred's story (remember, a Moebius Strip has no such thing as a reverse side - it is one- sided!). Maksud Plagiat! Parallel, in Inside the Clothing Store Essay the moebial sense of the Impact and Development, word , does not mean double or reverse here, but mutual . Pete's story is Inside Store Essay not only the reverse side of Fred's story, simultaneously Fred's story has to bloods founder be the reverse side of Pete's story . Inside The Clothing Store! otherwise the constant references to that night (the film's lacunae) would not make sense. True to the logic of the Moebius Strip, what on Essay on Knossos and Mycenae Bronze a very local level seem to be two sides of the story is actually one. In this moebial twist, the truth of the one is the Inside Essay, truth of the other, in that they are the essay writing, same.

On the Inside the Clothing Store Essay, level of the images of the movie, this complicity can be shown by Impact Maltreatment on Growth and Development, a comparison of two scenes that occur more than once in Lost Highway. These two scenes of Fred in the dark hallway (Renee calling Fred!) and Pete in front of his parents' house (Sheila calling Pete!), viewed in Store Essay parallel, function like a kind of maksud plagiat, worm-hole which traverses the different event-levels of the movie - I would even argue that if you mirrored those two scenes onto two screens put next to each other, it would have the effect of the Inside the Clothing Essay, one character changing over to the realm/screen of the traditions, other. Another 'perspective' of this simultaneous immersion can be seen in the transformation scene. Here again, the Inside Store Essay, moebial twist of inside and outside, one and other, is brought to the fore, this time effected by shots intruding the inside of the body. A last reference I want to make use of is the term psychogenic fugue that the French Production Company of Lost Highway , CIBY 2000, used as a kind of short- hand plot-synopsis in their pre-publicity campaign for the movie. In an interview with David Lynch, Chris Rodley asked Lynch if he was ever aware that such a mental condition, a form of amnesia which is a flight from reality, actually existed ( Lynch on Lynch 238-9).

Lynch answered that. the unit publicist on the picture, happened to find it in some medical journal or something. Best! She showed it to us, and it was like Lost Highway . Not literally, but an Inside the Clothing interior thing can happen that's very similar. A certain mental disturbance. But it sounds like such a beautiful thing - 'psychogenic fugue.' It has music and it has a certain force and dreamlike quality I think it's beautiful, even if it didn't mean anything. ( Lynch on Lynch 239) Yet it does mean something, and in this last section of this article, I want to situate Lost Highway in the context of human pathology.

First of all, I want to return to Lacanian psychoanalysis and to the road metaphor in one and the same gesture. I have shown elsewhere that in a Heideggerian and on Knossos and Mycenae of the Bronze Age Lacanian context, the metaphor of the road can serve as a trope not so much for freedom and rebellion, but as a trope for life as such as detour. (32) Lacan employs the metaphor of the road in his account of the death drive, (33) but he makes it unmistakably clear that such a notion of the Inside Essay, drive is far from traditions, representing an imaginary and narcissistic freedom from any law whatsoever. Inside The Clothing Essay! Even this drive for freedom depends for its existence on laws, on barriers . freedom needs barriers for their transgression. In his seminar on the psychoses, Lacan explores the factors that trigger off a psychosis. And again, he takes recourse to the metaphor of the road. In a chapter appropriately named The highway and the signifier 'being a father,' he writes: a succession of minor roads and and Development Essay a highway are not at all the Inside the Clothing, same thing. . The highway isn't something that extends from one road to another, it's a dimension spread out in space, the presencing of an maksud plagiat original reality. Inside The Clothing! If I take the highway as an example, it's because . it's a path of communication. . the highway is an undeniable signifier in human experience. (34)

What Lacan is alluding here to is his notion of the maksud plagiat, point de capiton , the quilting point, which is that point which makes sure that some temporary notion of the Clothing, meaning can be created in bloods founder language. Again, as in the concept of suture, the metaphor of stitching and sewing comes to the fore, since a quilting point designates an upholstery button, a place where the mattress-makers needle has worked hard to prevent a shapeless mass of stuffing from moving to freely about. (35) So a point de capiton is a place where signified and signifier are literally stitched together - this is suture in the register of the symbolic. Like a highway with respect to a system of Inside Essay, smaller streets, the quilting point holds that system of discourse together, and a minimal number of these points are necessary for Essay on Knossos Bronze Age, a human being to be called normal, and which, when they are not established, or when they give way, make a psychotic ( Seminar III 268-9). According to Lacan, the Inside the Clothing Store Essay, most important points de capiton , the highway amongst some minor roads, so to Impact of Child on Growth Essay speak, is the name of the father , the the Clothing Store Essay, paternal metaphor, which is quite important in bloods founder Lynch's post-patriarchal project. (36) The answer to Lacan's rhetorical question - [w]hat happens when we don't have a highway . ( Seminar III 292), or, in Store Essay other words, what happens when the highway is lost - is: psychosis. Best Writing! The foreclosure, what Freud called Verwerfung , of the primordial signifier, the name of the father , is a strategy for evading castration: the subject is castrated by its entry into the symbolic, into language and society. Thus, the denial of this castration leads to psychosis. This rejection of the symbolic Other that results in the disappearance of the the Clothing Store, phallic function leads to the subject's distortion of its relation to Essay and Mycenae the social order as well to its loss of sexual identity. As in Freud's case of Judge Schreber, Fred Madison tries to escape the threat of castration, but he experiences a return of the repressed in the real instead of in the symbolic, in Inside the Clothing Store his hallucinations (that is, in his second identity as Pete), because he does not accept the name of the father , the agency that might disturb his symbiotic relationship with Renee and/or Alice: Dick Laurent is dead! So, the Highway of the title is exactly this quilting point, this suture, that would be necessary for the subject to Wishnow´s Oedipus the King be inscribed into reality, into a state of normality.

Once this point is lost, once this seam is undone, the subject falls prey to the real, becomes psychotic. With respect to the delusional aspects of psychosis, Lacan comments on Inside Store Essay this buzzing that people who are hallucinating so often depict . this continuous murmur . is nothing other than the infinity of these minor paths ( Seminar III 294), these minor paths that have lost their central highway. What is the deep droning sound underlying most of the movie but this continuous murmur? The dissolution of maksud plagiat, reality is alarmingly hinted at when Fred, being asked to comment on the fact that he does not like video cameras, remarks - I like to remember things my own way. Inside Essay! . How I remember them, not necessarily the way they happened. (117K .wav file) (37) Seen in this light, the bloods founder, videos might represent the truth the way it happened, that is: the Store, repressed truth of Fred (and it is here that the sequence of the burning cabin shot in reverse gains special significance as a recurring image of that repression). Lost Highway treats its topic performatively, not just representationally (Wallace). Thus, taken as metaphor, what is at stake here is the notion of the decentered or split subject. One image in the movie which makes it clear is the image of the highway itself. There are two variants of this specific shot that are important here. Essay On Knossos And Mycenae Age! On the one hand, there is a kind of Inside the Clothing Store Essay, double-exposure of this particular image, which indeed hints at the split in the subject, at Impact of Child Maltreatment on Growth Essay the dissociation. (38) On another level, the dotted line can also be read as the Inside the Clothing Store Essay, subject's attempt at suture, at the stitching of Essay, reality and closing off the Inside the Clothing Store Essay, real again, of russia holiday, which the symptom itself is Essay a way of dealing with. The very term psychogenic fugue in Impact on Growth and Development Lynch's statement connects Lost Highway to a pathology that has gained prominence particularly during the few last years - the before mentioned Dissociative Disorders, such as the Borderline Syndrom and MPD - Multiple Persona Disorder. The term psychogenic fugue in particular is closely connected to the latter.

The symptom called psychogenic fugue involves a sudden, unexpected travel away from the Clothing, one's home or customary place of work, with an writing service inability to the Clothing Store recall the past, that occurs in the absence of an organic mental disorder . There is often the assumption of a new identity. Essay On Knossos Of The! . Typically, individuals in a fugue state have no memory of the Clothing, their primary identity. When they recover their primary identity, they often have a reciprocal amnesia for the events of the fugue state. (39) It is widely acknowledged that this symptom, closely connected to a kind of time-loss in the patient's memory, is a common feature of MPD, a disorder having entered mass consciousness through the biography, case study and best writing movie The 3 Faces of Eve , starring Joanne Woodward. (40) Like the Borderline Syndrome, MPD is a type of narcissistic personality organization, (41) that is, basically, a disorder of the ego-functions. Whereas in Store the Borderline Syndrome, the subject is unable to create a coherent ego, that is, to create the illusion of autonomy, MPD refers to the splitting of the subject's ego into several compartmentalized personae. The revised third edition of the Diagnostic and Statistical Manual of Mental Disorders [ DSM-III-R ] gives the following criteria for MPD: The existence within the individual of two or more distinct personalities or personality states (each with its own relatively enduring pattern of Essay on Knossos and Mycenae Age, perceiving, relating to and thinking about the environment and one's self).

Each of these personality states at some time, and recurrently, takes full control of the individual's behavior. (42) The main reason for the onset of MPD is to be found in traumatic experiences, one of the most common of which is continuous sexual abuse, mostly in Essay early childhood. MPD thus is a strategy invented by Impact and Development, the subject to Inside the Clothing cope with unmanageable stressors, (43) a strategy to escape the stress of an unbearable traumatic event - such as, e.g., the murder of one's own wife. [or that night] Both the bloods founder, Borderline Syndrom and MPD are almost exclusively American pathologies. Store! The question has already been raised, what might be the reasons for this being so. Russia Holiday! Varma, Bouri and Vig, three Indian psychiatrists, have argued that twentieth-century Western man, especially in North America, has shown a special fascination with role playing. The role is adopted with some gain or favourable outcome in mind. The fulfillment of the role may make him act even in a manner contrary to his usual self . The role adopted, like in multiple personality . represents an expedient or expected behaviour conceived for Inside, a particular setting. (44) While there are similar kinds of possession states in other cultures, e.g. Voodoo (Haiti), Latah (Malaysia) or Whitigo (Cree Indians), in the United States the on Growth Essay, equivalent would have to the Clothing be looked for in media culture. No wonder, then, that in the literature dealing with MPD, cultural and media influences rate highly.

Ray Aldridge-Morris refers to the fact that North America is inextricably associated with show business . and the film industry in particular (Aldridge-Morris 108), and Ian Hacking has observed that the different personae tend to be stock television characters, often assuming even names from sitcoms or crime serials . Indeed the rapid changes of Maltreatment and Development Essay, character remind one of nothing else than 'zapping.' (45) With regard to Inside Store postmodern American consumer culture, Hanjo Berressem has rightly argued that a somewhat cynical case might be made for the idea that multiple or fractal selfs are once more good consumers, because each role, or alter, can be inserted into a separate market. (46) With respect to Lost Highway , it has to be noted that the narrative of the movie is located in Los Angeles, the film metropole. Another point which I think might be worth-wile analyzing is the function of the abundance of references to Essay of the Age means of media and communication in this movie: videotapes, camcorders, cell phones, phones, the Essay, intercom. The whole movie, as it seems, is penetrated by on Knossos Bronze, a kind of communicational electro-smog , and Inside Essay somehow all of these devices are related to very strange and bloods founder mysterious powers. Another point that in my eyes makes MPD an especially American cultural pathology is a fact that relates it to American History itself. Commenting on Lost Highway , David Lynch highlighted the initial idea that started the whole thing. Store! What if one person woke up one day and was another person? ( Cinefantastique ). A review of the movie rendered this basic premise in more direct terms - What if I had a second chance? (Review by Steve Biodrowski in Cinefantastique ). This initial question, I argue, reminds one of maksud plagiat, one the most basic truths of American History.

John T. Irwin, in his study American Hieroglyphics , has commented on the American desire for the Clothing Essay, a limitless possibility, . an infinite 'second chance' or new beginning, one of whose historical manifestations was the idea of the expanding frontier. (47) Another of these manifestitions, it has to be added, was the idea of the open road . This especially American preoccupation with an bloods founder ever new beginning, with a second chance, also nicely ties in with the cultural pathology of MPD. The clinical picture of MPD, I argue, is put to use in Essay Lost Highway as a metaphor for the split, decentered subject, in maksud plagiat a similar way of Allucquere Rosanna Stone's and Sherry Turkle's treatment of the Clothing, this parallel. Turkle writes: Through contemporary psychoanalytic theory which stresses the decentered subject and through the fragmented selves presented by patients (and most dramatically by patients who present with multiple personality) psychology confronts the ways in which any unitary notion of identity is problematic and illusory. On Knossos! What is the Essay, self when it functions as a society? What is the maksud plagiat, self when it divides its labor among its constituent 'alters' or 'avatars'? (48)

I would like to add a final comment on the term psychogenic fugue, not as a clinical phenomenon, but as a term. In his interview with Lynch, Chris Rodley also mentioned the connection with the Inside Essay, musical term fugue , describing it as one theme starts and is then taken up by a second theme in answer. But the first continues to supply an accompaniment or counter-theme . You could therefore describe Lost Highway uniquely as a film which truly echoes a musical term. Of Child Maltreatment Essay! . Did you and Angelo Badalamenti discuss the score in terms of a fugue? ( Lynch on Lynch 239). After giving you the additional information that in a fugue, not only one theme is taken up by a second theme, but also by another instrument, another voice, I want to give you Lynch's answer, which I think is quite revealing. He said, Fugues make me feel insane. I can only listen to a certain amount of a fugue, and then I feel like I'm gonna blow up from the inside out ( Lynch on Lynch 239). (49) And here we are back again, full circle, where we started - Lynch's fascination with the the Clothing Essay, mystery: To me, a mystery is like a magnet.

Whenever there is something that's unknown, it has a certain pull to it ( Lynch on writing Lynch 231). Lacan, in his evaluation of the the Clothing Store Essay, mystery, of that which cannot by symbolized, but which nevertheless has immense effects in symbolization, goes even further: The tip of meaning, one can sense it, is the enigma, (50) insofar as meaning as such is something that can never be halted, never be fixed - there is always a remainder. This remainder, I argue, that which cannot be symbolized, is on the one hand given in maksud plagiat the movie as a kind of excess of the images, a kind of surplus-value of the imaginary which manifests itself in moments of jouissance . Inside Essay! On the other hand, the enigma in Lost Highway takes on its most concrete form in the gaps and voids, in the long sequences of darkness that permeate the whole movie. Analysis Wishnow´s Oedipus The King Essay! These so-to-speak materialized cuts (sometimes almost 30 seconds of pure dark screen) provide the space where a) suture is wilfully withheld, and b) where the mystery/enigma somehow can be both felt and filled by the spectator . finally, there is - or: can be - a certain strange version of the Clothing Store, suture that functions by alining the gaps in the cinematic discourse with the desire of the Oedipus Essay, spectator: in filling the gaps with his own interpretations/obsessions / images, he becomes an important part of the diegetic reality of the movie, a kind of lynchian version of Inside the Clothing Store, unconscious interactivity. So, what happens to Fred in the end? The very last shot shows him in the process of transformation again.

Lynch had used almost the same scene in his second movie, The Elephant Man , where it denoted the effect of of Child on Growth, a traumatic experience on Store Essay the process of bloods founder, giving birth to a new subject. What will be the result of Fred's transformation? Yet another persona? Or, will he re-transform into Inside Store Essay, Pete, thus adding another temporal twist to the narrative - remember that Pete had been imprisoned once, not for murder, but for car-theft, and what the police will eventually find after Fred has transformed into Pete again, will simply be Pete, in a stolen car . only that now, since the cops had found Pete's fingerprints all over Andy's place, Pete will be charged for murder . but, does that explain things? Do we now understand ? In the recent remake of the thriller Nightwatch , now called Freeze , the police inspector turned serial-killer, played by Nick Nolte, philosophizes: Explanations are just fictions to make us feel safe. Otherwise, we would have to admit the unexplained, and that would leave us prey to the chaos around us. Which is exactly what it is. Or, in terms of Lost Highway : identity is anything but simple, stable, whole. In the end, we can see what it really is: a terrible collection of fragments, fragments like the parts of Renee's mutilated body. My attempt at making sense of Lost Highway has tried to add another such fiction to make one feel safe (even if it in fact might have added even more confusion). (51) As Lacan would have it, [d]esire, in fact, is interpretation itself ( Fundamental Concepts 176).

My reading of Lynch's movie, then, necessarily and inescapably partakes in holiday traditions this desire. It is entangled between ultimate failure and Store the jouissance that does not serve anything (52) - There is no Truth . But one runs after it all the same ( Fundamental Concepts vii). 1 This paper is Oedipus Essay a slightly revised version of a talk I gave at the American Studies Colloquium 1998 in Olomouc, Czech Republic. 2 Jonathan Culler. On Deconstruction. Theory and Essay Criticism after Structuralism . Ithaka, New York, 1982, 10. 3 Jacques Lacan.

The Seminar of Jacques Lacan Book II: The Ego in Freud's Theory and in the Technique of Psychoanalysis 1954-55 . Trans. S. Tomaselli. Cambridge, 1988, 222. Holiday Traditions! Subsequently quoted as ( Seminar II ). 4 David Foster Wallace. Article on Lost Highway in Premiere , Sept. 1996. http://www.m ikedunn.com/lynch/lh/lhpremiere.html Subsequently quoted as (Wallace). 5 Mikal Gilmore. Article on Lost Highway and Interview with David Lynch. Rolling Stone , March 6, 1997. The Clothing Store Essay! http://www.mikedu nn.com/lynch/lh/lhrs1.html.

6 Richard Corliss. 'Mild at Heart.' TIME , April 7, 1997, 77. 7 Peter Wollen. Readings and Writings: Semiotic Counter-Strategies . London, 1982, 2. 8 Frederick Szebin and Steve Biodrowski. 'A surreal meditation on love, jealousy, identity and reality.' Cinefantastique , April 1997. Maksud Plagiat! http://www.miked unn.com/lynch/lh/cinelh.html Subsequently quoted as ( Cinefantastique ). 9 Christian Metz.

The Imaginary Signifier. Psychoanalysis and Inside the Cinema . Trans. C. Britton, A. Williams, B. Brewster and A Guzzetti. Bloomington, 1982. Subsequently quoted as ( The Imaginary Signifier ). 10 Jacques Lacan. crits . French Edition.

Paris, 1966, 774. Subsequently quoted as ( crits ), referring to the English translation crits . A Selection , by A. Bloods Founder! Sheridan, New York 1977. 11 Cp. Kaja Silverman's account of this concept in the Clothing Store her study The Subject of Semiotics. New York, 1983, 194-236, subsequently quoted as ( Subject of Semiotics ). 12 Jacques-Alain Miller. Holiday! 'Suture (elements of the Inside Essay, logic of the signifier).' Screen 18:4, (1977/78), 24- 34, 25-6. 13 Cp. Stephen Heath.

Questions of Cinema . Bloomington, 1981, 'On Suture,' 76-112, 100-1. Cp. also the chapter entitled 'On Screen, in Frame: Film and Ideology' (1-18). 14 Jacques Lacan. The Four Fundamental Concepts of Impact of Child on Growth and Development, Psychoanalysis . Trans. A. Sheridan. New York, London, 1978, 118. Subsequently quoted as ( Fundamental Concepts ). 15 For another comparative reading of the concept of Essay, suture and the movie Suture , cp. Hanjo Berressem.

Twisted and Traumatized: Spatial and russia traditions Temporal Loops in the Clothing Essay American Literature, Art, and Culture . Habilitationsschrift, Aachen 1997. 16 Another short reference to yet another movie: John Woo's Face/Off . In this movie, two men exchange identities; that is, they change faces. Suture , Face/Off , and Lost Highway - they all tackle the question of identity and of suture . in a way, all three movies are about maksud plagiat identity and its vicissitudes, about the construction of both the subject in the diegetic reality of the movie, and of the spectator. Suture thematizes the concept of Inside the Clothing, identity as an effect of (illusory) identification, and ultimately withholds the comfort of suture, of a stable position both within diegetic reality and off-screen. The King Essay! John Woo's Face/Off comments on the Aristotelean truth that physiognomy mirrors character. The Clothing! This truth is countered with an almost metaphysical sense of self beyond mere looks, a self, however, that most prominently reveals itself in a language of the body , in small gestures. The suture that holds the movie together is quite literally the seam which stitches Nicholas Cage's face onto John Travolta's head (and vice versa) and 'functions' in holiday fact only if the spectator is willing to accept this improbability. In Lost Highway finally, the identity of the on-screen subject is related to different positions it takes with respect to Essay different levels of reality, and, ultimately, to its desire. Since this is a never-ending process, suture, for the spectator, is forever displaced and deferred.

17 Reni Celeste. 'Lost Highway: Unveiling Cinema's Yellow Brick Road.' Cineaction 43 (Summer 1997). http://www.mailbase.ac.uk/lists /film-philosophy/files/paper.celeste.html. Subsequently quoted as (Celeste). 18 see e.g. Lynch in of Jason Wishnow´s the King the Official Press Kit for Lost Highway , http://www.mike dunn.com/lynch/lh/lhpress.html, subsequently quoted as (Press Kit), and Gifford in his interview for Film Threat , http://www.mi kedunn.com/lynch/lh/lhgifford.html. 19 Cp. e.g. Lacan's discussion of the figure of the interior eight in his article on 'Science et Verit' (crits, French edition, 855-77), or his 1966 lecture 'Of Structure as an Inmixing of an Inside the Clothing Store Otherness Prerequisite to Any Subject Whatever,' published in: The Structuralist Controversy: The Languages of of Child Maltreatment on Growth Essay, Criticism and the Sciences of Man . The Clothing Essay! Ed. R. Macksey and of Jason Wishnow´s E. Inside Essay! Donato. Baltimore, 1970, 186-200.

The illustration was taken from this article. 20 Chris Rodley (ed.). Lynch on on Growth and Development Essay Lynch . London, Boston, 1997, 231. Subsequently quoted as ( Lynch on Lynch ). 21 On yet another level, Lost Highway is obviously a noir film in a very literal sense: noir /black is the prevailing color in this movie, especially in the long dark sequences that seem to Store Essay structure the Analysis of Jason Wishnow´s the King Essay, narrative . 23 Slavoj ZiZek. Tarrying with the Negative . Durham 1993, 9-10. 24 Georg See?len has made similar observation, but has related this observation in his conclusions to the concept of self-reflexivity in Lynch's filmic language. See Georg See?len.

David Lynch und seine Filme . Marburg und Berlin, 3. Inside Essay! erw. Auflage 1997, 187. 25 Steven Shaviro. Maksud Plagiat! Stranded in the Clothing Store Essay the Jungle . (forthcoming book; excerpts can already be found on Steven Shaviro's homepage; see his chapter 'Intrusion' on Lost Highway : http://www.dhalgren.com/Stranded/18.html. 26 Or, when Fred asks Renee if she will come to russia holiday traditions the club, she answers that she wants to read, and Fred asks, in disbelief, Read? Read what?

Apart from this articulation of an the Clothing Store Essay otherwise unspoken suspicion that Renee might actually be an unfaithful wife, this remark of Fred's also shows his inability (or: unwillingness) to accept the need for something that goes beyond this symbiosis . maybe, one has to read Read very literally as a hint towards the symbolic, the agency that in the end very violently disturbs this dual relationship. 27 Michael Chion has already noted in his seminal study Audio-Vision. Russia Holiday Traditions! Sound on Screen . Trans. Claudia Gorbman. New York, 1994, that Lynch is one of the directors that have liberated film sound from its long sleep of simply accompanying the images on-screen. Chion points out that Lynch is one of those who have developed the soundtrack into Essay, the direction of a Sound Film - Worthy of the Name (141). 28 Jacques Lacan. The Seminar of Jacques Lacan Book I: Freud's Paper on Technique 1953-54 . Transl. by J. Forrester.

Cambridge: Cambridge University Press, 1988, 102. 29 see Slavoj Zizek. The Plague of Fantasies . Analysis Oedipus Essay! New York, London, 1997. 30 see Slavoj Zizek's interpretation of Hitchcock's Psycho with respect to this moebial twist in Slavoj Zizek (ed.). Everything you always wanted to the Clothing know about Lacan (but were afraid to ask Hitchcock) . New York, London, 1992. 31 Colin Ross. Dissociative Identity Disorder. Maksud Plagiat! Diagnosis, Clinical Features, and Treatment of Multiple Personality . The Clothing Store Essay! New York, 1997.

32 See Chapter 7, ' On the road : The Road Novel and the Road Movie,' of my book An Art of Desire. Reading Paul Auster . Amsterdam and Atlanta, 1999, 159-72. 33 Cp. Maksud Plagiat! Jacques Lacan. The Seminar of Jacques Lacan Book II: The Ego in Freud's Theory and in the Technique of Psychoanalysis 1954-55 . Trans.

S. Tomaselli. Inside The Clothing Essay! Cambridge: Cambridge University Press, 1988, where he comments on the roads of life (81) and describes life as a dogged detour (232) towards death. 34 Jacques Lacan. The Seminar of Jacques Lacan. Book III: The Psychoses, 1955-56 . Transl. by R. Grigg. New York, 1993, 290-1. Subsequently quoted as ( Seminar III ). Best Essay Service! An example might clarify what is at stake here. Kafka, in Inside the Clothing Store his Letter to the Father , takes recourse to another topographical metaphor, referring to his father in terms of a dimension spread out in space : Sometimes I imagine the map of the world spread out and you stretched diagonally across it. Franz Kafka. Letter to the Father . On Knossos Bronze! Prague, 1998, 65.

35 Malcolm Bowie. Lacan . London, 1991, 74. 36 This term is Anne Jerslev's. Store Essay! See her study David Lynch i vore jne. Copenhagen, 1991. 37 Thus, the whole second part of the movie (Pete's story), can be read as Fred's attempt to remember things his own way, even to re-member, in the literal sense of the word, both his fragmented sense of self and Renee's dis-membered body . 38 A more hypermaterialistic rendition of the split subject is the scene in which Andy's head is virtually split by the glass table . Bloods Founder! it's as literal as you can get. 39 Frank W. Putnam.

Diagnosis and Treatment of Multiple Persona Disorder . Essay! New York, 1989. Essay Bronze Age! 13-4. Subsequently quoted as (Putnam). 40 The case of Inside the Clothing Essay, Eve has just recently been found out to have been faked by the analysts. 41 Clary, W.F., Burstin, K.J., Carpenter, J.S. 'Multiple personality and borderline personality disorder.' Psychiatric Clinics of North America , 7 (1984), 89-100. 42 American Psychiatric Association. DSM-III-R . Washington, 1987, 106.

43 Ray Aldridge-Morris. Multiple Personality. An Exercise in Deception . Hove, 1989, 107. Subsequently quoted as (Aldridge- Morris). 44 Varma, V.K., Bouri, M., Wig, N.N. 'Multiple personality in India: Comparison with hysterical possession states.' American Journal of Psychotherapy 35 (1981), 1. 45 Ian Hacking. 'Multiple Personality Disorder and Its Hosts.' History of the Human Sciences 5.2 (1992), 3-31, 11. 46 Hanjo Berressem. On Knossos And Mycenae Bronze! 'Emotions Flattened and Scattered: Borderline Syndromes and Multiple Persona Disorders in Contemporary American Fiction.' in: G. Hoffmann, A. Hornung (ed.). Emotion in Postmodernism . Inside! Heidelberg, 1997, 271-307, 293.

47 John T. Russia! Irwin. American Hieroglyphics . The Symbol of the Egyptian Hieroglyphics in the American Renaissance . New Haven and London, 1980, 112. 48 Sherry Turkle. Constructions and Reconstructions of the Self in Virtual Reality . Essay! Quoted in Allucquere Rosanne Stone. Service! 'Identity in Oshkosh.' J. Halberstam, I. Livingston (ed.). Posthuman Bodies . Bloomington, 1995, 23-37, 34. 49 Another, I think, most revealing information with respect to the fugue: Douglas R. Hofstadter, in Essay his book Gdel, Escher, Bach: An Eternal Golden Braid , comments on the compositions of Johann Sebastian Bach, which, in holiday his time, were judged as quite notorious. Inside! Like Lynch's works, they were either thought to be pompous and best essay writing service confused, whereas others hailed them as masterpieces. For Hofstadter, Bach's fugues in Store general, and especially his highly complex fugue Ein Musikalisches Opfer/A Musical Offering , are of special importance for bloods founder, his study because of their structure, which is the structure of what Hofstadter calls strange loops. A most prominent example of such a strange loop is . yes, it's the Moebius Strip again. And, finally, believe it or not, the original term for the fugue was the Latin term Ricercar , which means - enigma, mystery. Cp.

Douglas R. Hofstadter. Gdel, Escher Bach. An Eternal Golden Braid . New York, 1979. 50 Jacques Lacan. 'Vorwort zur dt. Ausgabe meiner Schriften.' in: Schriften II . Weinheim, 1991, 7. 51 Only after I finished this article (and the talk on which this article is Inside the Clothing Store Essay based), Troels Degn Johansson, Department of Film Media Studies of the University of best, Copenhagen, pointed out an article to me in cinetext by Robert Blanchet: ' Circulus Vitiosus : Spurensuche auf David Lynchs Lost Highway mit Slavoj ?i?ek.' This article only mentions in passim some of the aspects I have tried to discuss in more detail in this paper, so, both articles somehow respond to each other like the two sides of a Moebius Strip as well . cp. Inside The Clothing Store! http://st1hobel.phl.univie.ac.at/cinetext/magazine/circvit.html. 52 Le Sminaire Livre XX: Encore . Paris, 1975, 10. My translation. American Psychiatric Association. DSM-III- R . Essay On Knossos And Mycenae Of The! Washington, 1987. Ray Aldridge-Morris.

Multiple Personality. An Exercise in the Clothing Deception . Hove, 1989. Hanjo Berressem. Twisted and Traumatized: Spatial and Temporal Loops in American Literature, Art, and Culture . Bloods Founder! Habilitationsschrift, Aachen 1997. ---- . 'Emotions Flattened and Store Scattered: Borderline Syndromes and Multiple Persona Disorders in russia holiday Contemporary American Fiction.' in: G. The Clothing Store! Hoffmann, A. Hornung (ed.). Maksud Plagiat! Emotion in Postmodernism . Heidelberg, 1997, 271-307. Robert Blanchet: ' Circulus Vitiosus : Spurensuche auf David Lynchs Lost Highway mit Slavoj Zizek.' http://st1hobel.phl.univie.ac.at/cinetext/magazine/circvit.html. Malcolm Bowie.

Lacan . London, 1991. Michael Chion. Audio-Vision. Sound on Screen . Trans. Claudia Gorbman. New York, 1994. Clary, W.F., Burstin, K.J., Carpenter, J.S. 'Multiple personality and borderline personality disorder.' Psychiatric Clinics of North America , 7 (1984), 89-100. Richard Corliss. 'Mild at Heart.' TIME , April 7, 1997, 77. Mikal Gilmore. Article on Lost Highway and the Clothing Essay Interview with David Lynch. Rolling Stone , March 6, 1997. http://www.mikedu nn.com/lynch/lh/lhrs1.html.

Ian Hacking. 'Multiple Personality Disorder and Its Hosts.' History of the Human Sciences 5.2 (1992), 3-31. J. Halberstam, I. Livingston (ed.). Best Essay Writing Service! Posthuman Bodies . Bloomington, 1995. Stephen Heath. Questions of Store, Cinema . Bloomington, 1981. Bernd Herzogenrath. An Art of of Child Maltreatment on Growth and Development, Desire. Reading Paul Auster . Amsterdam and Atlanta, 1999.

Douglas R. The Clothing Essay! Hofstadter. Gdel, Escher Bach. An Eternal Golden Braid . New York, 1979. John T. Irwin. American Hieroglyphics. The Symbol of the Egyptian Hieroglyphics in the American Renaissance . New Haven and best essay writing service London, 1980. Anne Jerslev. David Lynch i vore jne . Store! Copenhagen, 1991. Franz Kafka. Letter to the Father . Prague, 1998. Jacques Lacan. crits . Paris, 1966.

-----. crits . A Selection. Trans. Best Essay Service! A. Sheridan, New York 1977. -----. Le Sminaire Livre XX: Encore . Paris, 1975. -----. 'Vorwort zur dt. Ausgabe meiner Schriften.' in: Schriften II . Weinheim, 1991. -----.

The Four Fundamental Concepts of Psychoanalysis . Trans. A. Sheridan. New York, London, 1978. -----. The Seminar of Jacques Lacan Book I: Freud's Paper on Technique 1953-54 . The Clothing Essay! Transl. by J. Forrester. Bloods Founder! Cambridge, 1988. -----. The Seminar of Jacques Lacan.

Book III: The Psychoses, 1955-56 . Transl. by R. Grigg. New York, 1993. Christian Metz. Inside The Clothing! The Imaginary Signifier. Psychoanalysis and the Cinema . Trans. C. Britton, A. Williams, B. Brewster and Essay of the A Guzzetti. Inside Essay! Bloomington, 1982. Jacques-Alain Miller. 'Suture (elements of the logic of the signifier).' Screen 18:4, (1977/78), 24-34. Frank W. Putnam.

Diagnosis and Treatment of Multiple Persona Disorder . New York, 1989. Chris Rodley (ed.). Lynch on Lynch . London, Boston, 1997. Colin Ross. Dissociative Identity Disorder. Diagnosis, Clinical Features, and Treatment of Multiple Personality . New York 1997.

Georg See?len. David Lynch und seine Filme. Marburg und Berlin, 3. erw. Auflage 1997. Steven Shaviro. Stranded in the Jungle . (forthcoming book; excerpts can already be found on Steven Shaviro's homepage; see his chapter 'Intrusion:' http://www.dhalgren. com/Stranded/18.html. Kaja Silverman. The Subject of Semiotics . New York, 1983.

Frederick Szebin and Steve Biodrowski. Russia! 'A surreal meditation on love, jealousy, identity and reality.' Cinefantastique , April 1997. http://www.miked unn.com/lynch/lh/cinelh.html. Varma, V.K., Bouri, M., Wig, N.N. Store Essay! 'Multiple personality in India: Comparison with hysterical possession states.' American Journal of Psychotherapy 35 (1981). Peter Wollen. Readings and Writings: Semiotic Counter-Strategies . London, 1982. Slavoj Zizek (ed.). Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock) . New York, London, 1992. Slavoj Zizek. Tarrying with the Negative . Durham 1993.

Slavoj Zizek. The Plague of Fantasies . New York, London, 1997.

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8 Tips for Inside the Clothing Dazzling an and Mycenae Bronze Age, Editor With Your Personal Essay. Ironically, as a reader, I never used to be a fan of anthologies or personal essay collections. As a teacher, I did love showing students how to Store Essay, write personal essays or short memoir pieces. As an English teacher and a writing instructor, it often felt miraculous to me how a mediocre piece could be transformed in just a few short weeks through revision, how a piece could evolve from bland and Analysis of Jason, cliched to raw, powerful, and beautiful. But I never liked reading short pieces in my leisure time. It wasn't until I started writing as a blogger and freelance writer that I started to Store Essay, appreciate collections of personal essays as a genre.

I love seeing writers that I know online take different perspectives and approach topics with unique styles. Analysis Wishnow´s Oedipus Essay? As a parent, reading about other mothers' experiences from so many different angles has helped me gain insight into myself as a mother. I've been thinking a lot about personal essays from three different perspectives: as a reader, as a writer, and now as an editor. I've been trying my hand at publishing my own pieces, and I know that it's hard (really hard) to write a great personal essay. The Clothing Essay? After our call for of Child on Growth submissions for My Other Ex: Women's True Stories of Leaving and Losing Friends , to be published in September, I also spent months reading essays with an editor's eye, trying to decide which pieces to accept and Inside the Clothing Essay, which to pass on. And that was just as hard. Impact Of Child Maltreatment On Growth Essay? And it occurred to me as a beginning editor that we editors are not often transparent about what we are looking for. I'm lucky in the sense that I taught writing and developed writing curricula for well over a decade, and all of the best practices (and unwritten rules) of memoir and essay writing are (somewhat) fresh in my mind. But most of Inside the Clothing Store Essay, us writers haven't taken an English class in quite a while. And we aren't recent MFA graduates either. On Growth Essay? So here's what I think -- as a teacher, writer, editor, and reader -- about the ingredients of a great personal essay, one that is carefully crafted to draw in a reader, make her care about Inside the Clothing Store a topic, and keep reading.

1. Use what you know about good fiction and storytelling . Analysis Of Jason Wishnow´s Oedipus Essay? You should develop characters, settings, and plot (a sequence of events) into the Clothing Store Essay a story. Use sensory details and vivid description to create separate, carefully chosen scenes. 2. Impact On Growth And Development? Combine the Inside Essay personal and the universal . This is your story, your life, your emotions but your writing should also express and reveal a larger meaning, a theme, a deeper truth, beyond the bloods founder surface details of Inside Essay, plot and Impact of Child, character. 3. Find your voice . More importantly, find your unique voice that is best for the Clothing Essay each piece, or different moments of the same piece. As Kate Hopper, in the invaluable Use Your Words: A Writing Guide for maksud plagiat Mothers, explains, voice is: the feel, language, tone, and syntax that makes a writer's writing unique. In nonfiction, voice is you, but not necessarily the you sitting in the Clothing, front of the computer typing away. Voice can be molded by best essay, a writer to serve the subject about Inside the Clothing Essay which she is traditions, writing.

It might take a while to find the Essay best voice for a piece. Is the right voice ironic, funny, anxious, playful, breathless, or solemn? We all have multiple identities and show different parts of ourselves at different times. Use that versatility in your writing. 4. Alternate focusing in and focusing out . Choose specific and compelling moments, memories, and feelings, and hone in on them, using those particular moments to help to convey theme and purpose. Pretend you are using a video camera to focus in bloods founder, and out, slowing down the action, like a cinematographer, very purposefully to guide the reader toward what's important in the piece. 5. Be specific, not general. This is what I called The Rule of the Pebble to my students (thanks to Nancie Atwell, my writing teacher guru). It basically means don't write about a general topic or idea; write about Inside Store Essay one particular person, place, time, object, or experience. In other words, don't try to write about all pebbles everywhere (or love or friendship or football or sunsets).

Write about this one particular pebble (or the friend that broke your heart freshman year, or the sunset that you saw last night, or memory, or place), its meaning to you, the concrete details that shape how you think about it. 6. E xperiment and play . Try out different literary devices and bloods founder, techniques, such as similes, personification, and Inside the Clothing Essay, metaphors. Or experiment with using different sentence lengths strategically. Use repetition, of words, of lines, of phrases. Play with imagery. Many of these devices should only be used sparingly, but, used effectively, they can add surprises and richness to your writing. Bloods Founder? 7. Learn the difference between revision and editing . You must do both. It's easy as a writer to Essay, focus on spelling errors and sentence structure, rather than making big (painful) changes to our writing. Revision means to look again. You do things like: make sure that your theme and purpose for writing are clear; try out of Jason Wishnow´s Oedipus different leads (ways to begin the piece); rethink your conclusion; change the organization.

In editing, a separate stage, we do things like catch run-on sentences, fix errors in punctuation or spelling, or replace overused words and expressions. 8. Read, read, read, and read some more . The Clothing Store? What all writers have in common, as far as I know, is that they're constantly reading. They pay attention to their favorite writer's craft and style and try them out in their own writing. They internalize the beauty and the utility of the perfect word, the perfect sentence, and the perfect metaphor. What are your favorite personal essays?

Whose writing do you turn to as models for your own writing? To learn more about The HerStories Project and best, its next essay collection about friendship breakups, My Other Ex: Women's True Stories of Leaving and Losing Friends , visit the HerStories website.

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